My Way

by Bernstein, Charles

• ISBN13: 9780226044101
• ISBN10: 0226044106
• Format: Paperback
• Copyright: 1999-02-01
• Publisher: Univ of Chicago Pr

Summary

"Verse is born free but everywhere in chains. It has been my project to rattle the chains."(from "The Revenge of the Poet-Critic") In My Way,(in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms--speeches and poems, interviews and essays--to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging." Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, from identity politics to the resurgence of the aesthetic, from cultural studies to poetry as a performance art, from the small press movement to the Web. Along the way he provides "close listening" to such poets as Charles Reznikoff, Laura Riding, Susan Howe, Ezra Pound, Allen Ginsberg, and Gertrude Stein, as well as a fresh perspective on L=A=N=G=U=A=G=E,the magazine he coedited that became a fulcrum for a new wave of North American writing. In his passionate defense of an activist, innovative poetry, Bernstein never departs from the culturally engaged, linguistically complex, yet often very funny writing that has characterized his unique approach to poetry for over twenty years. Offering some of his most daring work yet--essays in poetic lines, prose with poetic motifs, interviews miming speech, speeches veering into song--Charles Bernstein's My Wayilluminates the newest developments in contemporary poetry with its own contributions to them. "The result of [Bernstein's] provocative groping is more stimulating than many books of either poetry or criticism have been in recent years."--Molly McQuade, Washington Post Book World "This book, for all of its centrifugal activity, is a singular yet globally relevant perspective on the literary arts and their institutions, offered in good faith, yet cranky and poignant enough to not be easily ignored."--Publishers Weekly "Bernstein has emerged as postmodern poetry's sous-chef of insouciance. My Wayis another of his rich concoctions, fortified with intellect and seasoned with laughter."--Timothy Gray, American Literature

Table of Contents

Preface

A Defense of Poetry

The Revenge of the Poet-Critic, or The Parts Are Greater

Than the Sum of the Whole

Thelonious Monk and the Performance of Poetry

An Interview with Manuel Brito Solidarity Is the Name

We Give to What We Cannot Hold What's Art Got to Do with It?

The Status of the Subject of the Humanities in an Age of Cultural Studies

A Test of Poetry The Book as Architecture Dear Mr. Fanelli

An Interview with Hannah Mockel-Rieke I Don't Take Voice Mail

The Object of Art in the Age of Electronic

Technology Weak Links (on Hannah Weiner)

Claire-in-the-Building Again Eigner Frame Lock "Passed by Examination"

Paragraphs for Susan Howe

The Value of Sulfur Shaker Show Gertrude and Ludwig's Bogus

Adventure Introjective Verse Poetics of the

Americas Unzip Bleed Lachrymose Encaustic / Abrasive Tear Stein's

Identity Provisional Institutions

Alternative Presses and Poetic Innovation Pound and the

Poetry of Today Inappropriate

Touching Robin on His Own (on Robin Blaser)

Water Images ofThe New YorkerThe Response as Such

Words in Visibility From an Ongoing

Interview with Tom Beckett

Explicit Version Number RequiredHinge

Picture(on George Oppen) Reznikoff's Nearness An Autobiographical

Interview Beyond Emaciation Riding's Reason

Whose He Kidding Unrepresentative Verse (on Ginsberg and Eliot)

Poetry and [Male?]

Sex Close Listening: Poetry and the Performed Word Taps [In memoriam Eric Mottram] Warning

Poetry Area: Publics under Construction

The Republic of Reality

Notes and Acknowledgments

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