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9780787972769

Narrative Inquiry Experience and Story in Qualitative Research

by ;
  • ISBN13:

    9780787972769

  • ISBN10:

    0787972762

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2004-08-13
  • Publisher: Jossey-Bass

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Summary

"The literature on narrative inquiry has been, until now, widely scattered and theoretically incomplete. Clandinin and Connelly have created a major tour de force. This book is lucid, fluid, beautifully argued, and rich in examples. Students will find a wealth of arguments to support their research, and teaching faculty will find everything they need to teach narrative inquiry theory and methods."--Yvonna S. Lincoln, professor, Department of Educational Administration, Texas A&M University Understanding experience as lived and told stories--also known as narrative inquiry--has gained popularity and credence in qualitative research. Unlike more traditional methods, narrative inquiry successfully captures personal and human dimensions that cannot be quantified into dry facts and numerical data. In this definitive guide, Jean Clandinin and Michael Connelly draw from more than twenty years of field experience to show how narrative inquiry can be used in educational and social science research. Tracing the origins of narrative inquiry in the social sciences, they offer new and practical ideas for conducting fieldwork, composing field notes, and conveying research results. Throughout the book, stories and examples reveal a wide range of narrative methods. Engaging and easy to read, Narrative Inquiry is a practical resource from experts who have long pioneered the use of narrative in qualitative research.

Author Biography

D. Jean Clandinin is professor and director of the Centre for Research for Teacher Education and Development at the University of Alberta.<BR> F. Michael Connelly is professor and director of the Centre for Teacher Development, Ontario Institute for Studies in Education, University of Toronto.

Table of Contents

Prefacep. xiii
Acknowledgmentsp. xvii
The Authorsp. xix
Prologuep. xxi
Why Narrative?p. 1
Introductionp. 1
John Deweyp. 2
Mark Johnson and Alasdair MacIntyrep. 3
New Ways of Thinking: The Contribution of Inquiryp. 4
Clifford Geertz, After the Fact: Two Countries, Four Decades, One Anthropologistp. 5
Mary Catherine Bateson, Peripheral Visions: Learning Along the Wayp. 7
Barbara Czarniawska, Narrating the Organization: Dramas of Institutional Identityp. 10
Robert Coles, The Call of Stories: Teaching and the Moral Imaginationp. 11
Donald Polkinghorne, Narrative Knowing and the Human Sciencesp. 15
Bringing These Authors to Narrative Inquiryp. 16
Why the Turn to Narrative?p. 17
Coming to Research Narrativelyp. 20
Thinking Narratively: A Case at the Boundariesp. 21
Introductionp. 21
Bloom's Taxonomyp. 21
Working with the Taxonomy Teamp. 25
Responses to a Narrative Revisionp. 27
Inquiry Life at the Boundariesp. 29
Temporalityp. 29
Peoplep. 30
Actionp. 30
Certaintyp. 31
Contextp. 32
Summaryp. 32
Thinking Narratively: Reductionistic and Formalistic Boundariesp. 34
Introductionp. 35
The Ideas of Schon, Oakeshott, and Johnsonp. 35
Narrative Thinking at the Formalistic Boundaryp. 38
Inquiry Life at the Formalistic Boundaryp. 40
The Place of Theoryp. 40
The Balance of Theoryp. 42
Peoplep. 43
The Place of the Researcherp. 45
Summaryp. 46
What Do Narrative Inquirers Do?p. 48
Introductionp. 49
Narrative Inquiry Terms and Narrative Inquiry Spacesp. 49
A Story of Working in a Three-Dimensional Narrative Inquiry Space with Ming Fang Hep. 51
Three-Dimensional Narrative Inquiry Spacep. 54
A Story of Working in a Three-Dimensional Narrative Inquiry Space with Karen Whelanp. 57
A Reflective Notep. 60
Being in the Field: Walking into the Midst of Storiesp. 63
Introductionp. 63
Beginning in the Midstp. 63
Beginning in the Midst at Bay Street Schoolp. 64
Being in the Midst Is Different for Everyonep. 68
Living, Telling, Retelling, and Reliving Storiesp. 71
What Do We Do Now That We Are in the Field?p. 71
Negotiating Relationshipsp. 71
Negotiating Purposesp. 73
Negotiating Transitionsp. 74
Negotiating a Way to Be Usefulp. 75
Getting a Feel for Itp. 76
Living Life on the Landscapep. 77
From Field to Field Texts: Being in a Place of Storiesp. 80
Introductionp. 80
Falling in Love, Slipping to Cool Observationp. 81
Remembering an Outline, Slipping into Detailp. 83
Narrative Truth and Narrative Relativismp. 85
Turning Inward, Watching Outwardp. 86
The Ambiguity of Working in a Three-Dimensional Inquiry Spacep. 89
Composing Field Textsp. 92
Introductionp. 92
Composing Field Texts Is an Interpretive Processp. 93
Writing Field Texts Expresses the Relationship of Researcher to Participantp. 94
Field Texts in a Three-Dimensional Inquiry Spacep. 95
Interwoven Field Textsp. 96
Teacher Stories as Field Textp. 98
Autobiographical Writing as Field Textp. 101
Journal Writing as Field Textp. 102
Field Notes as Field Textp. 104
Letters as Field Textp. 106
Conversation as Field Textp. 108
Research Interview as Field Textp. 110
Family Stories and Stories of Families as Field Textp. 112
Documents as Field Textp. 113
Photographs, Memory Boxes, and Other Personal-Family-Social Artifacts as Field Textp. 114
Life Experience as a Source of Field Textsp. 115
What Is Important for Inquirers to Know About Field Texts?p. 116
From Field Texts to Research Texts: Making Meaning of Experiencep. 119
Introductionp. 119
What Do Narrative Inquirers Do?p. 120
Justification (Why?)p. 121
Phenomena (What?)p. 124
Method (How?)p. 127
Theoretical Considerationsp. 127
Practical Field Text-Oriented Considerationsp. 129
Interpretive-Analytic Considerationsp. 130
Theory and Literaturep. 135
Kind of Text Intendedp. 136
Composing Research Textsp. 138
Introductionp. 138
Experiencing Tensions as Writing Beginsp. 139
Writing Research Texts at the Boundariesp. 140
Writing Research Texts at the Formalistic Boundaryp. 140
Writing Research Texts at the Reductionistic Boundaryp. 141
Writing, Memory, and Research Textsp. 143
Writing Research Texts in the Midst of Uncertaintyp. 144
Voicep. 146
Signaturep. 147
Audiencep. 149
Tensions Among Voice, Signature, and Audiencep. 149
Narrative Formp. 151
Narrative Form in He's Dissertationp. 156
Narrative Form in Rose's Dissertationp. 159
Searching for Narrative Formp. 162
Reading Other Narrative Dissertations and Booksp. 162
Looking for Metaphorp. 163
Noticing Reading Preferencesp. 163
Experimenting with Formp. 164
Maintaining a Sense of Work in Progressp. 166
Audience and the Composition of Research Textsp. 167
Persistent Concerns in Narrative Inquiryp. 169
Introductionp. 169
Ethicsp. 170
Ethics and Anonymityp. 174
Ownership and Relational Responsibilitiesp. 176
How We Are Storied as Researchersp. 177
Fact and Fictionp. 179
Risks, Dangers, and Abuses: "I, the Critic"p. 181
Wakefulnessp. 184
Epiloguep. 187
Referencesp. 191
Indexp. 199
Table of Contents provided by Ingram. All Rights Reserved.

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