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9780609809570

Natasha

by
  • ISBN13:

    9780609809570

  • ISBN10:

    0609809571

  • Edition: Reprint
  • Format: Trade Paper
  • Copyright: 2002-04-09
  • Publisher: Three Rivers Press
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Summary

Natalie Wood was always a star; her mother made sure this was true. A superstitious Russian immigrant who claimed to be royalty, Maria had been told by a gypsy, long before little Natasha Zakharenko's birth, that her second child would be famous throughout the world. When the beautiful child with the hypnotic eyes was first placed in Maria's arms, she knew the prophecy would become true and proceeded to do everything in her power everything to make sure of it. Natasha is the haunting story of a vulnerable and talented actress whom many of us felt we knew. We watched her mature on the movie screen before our eyes in Miracle on 34th Street, Rebel Without a Cause, West Side Story, Splendor in the Grass, and on and on. She has been hailed along with Marilyn Monroe and Elizabeth Taylor as one of the top three female movie stars in the history of film, making her a legend in her own lifetime and beyond. But the story of what Natalie endured, of what her life was like when the doors of the soundstages closed, has long been obscured. Natasha is based on years of exhaustive research into Natalie's turbulent life and mysterious drowning in the dark water that was her greatest fear. Author Suzanne Finstad, a former lawyer, conducted nearly four hundred interviews with Natalie's family, close friends, legendary costars, lovers, film crews, and virtually everyone connected with the investigation of her strange death. Through these firsthand accounts from many who have never spoken publicly before, Finstad has reconstructed a life of emotional abuse and exploitation, of almost unprecedented fame, great loneliness, poignancy, and loss. She sheds an unwavering light on Natalie's complex relationships with James Dean, Elvis Presley, Frank Sinatra, Raymond Burr, Warren Beatty, and Robert Wagner and reveals the two lost loves of Natalie's life, whom her controlling mother prevented her from marrying. Finstad tells this beauty's heartbreaking story with sensitivity and grace, revealing a complex and conflicting mix of fragility and strength in a woman who was swept along by forces few could have resisted. Natasha is impossible to put down it is the definitive biography of Natalie Wood that we've long been waiting for. From the Hardcover edition.

Author Biography

Suzanne Finstad, a former lawyer, is the award-winning author of five previous literary works, including the bestseller <i>Sleeping with the Devil</i>. She lives in Los Angeles.

Supplemental Materials

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Excerpts

“NATALIE WOOD” NEVER REALLY EXISTED. The actress with that name was a fictional creation of her mother, a disturbed genius known by various first names, usually Maria. How Natalie was discovered, why she went into show business as a child, her background, were all part of a tapestry of lies woven by Maria that began before Natalie was even born. “God created her, but I invented her,” her mother said once, after Natalie's body was discovered floating in the dark waters off Catalina Island the Sunday after Thanksgiving of 1981, when she was just forty-three. Natalie Wood, the celebrity, was an entwined alter ego of mother and daughter so powerfully macabre her drowning had been predicted by a gypsy, years before, to happen to Maria, not Natalie. The person inside the illusion of “Natalie Wood” was lost for years, even to herself.

Natalia Nikolaevna Zakharenko, the real name of the actress known as Natalie Wood, was a child of Russia, once removed. Exactly where in Russia we may never know, for her mother, the source of the family history, was an unreliable witness, a feverishly imaginative woman who lived in a world of her own invention, only occasionally punctuated by the truth. Maria's friends characterized this as colorful; others considered her devious; her youngest child eventually concluded she was a pathological liar. There was intrigue to Maria no biographer could fully unravel. She would have three daughters-Olga, Natalia, and Svetlana-three sisters, as in the Chekhov play. For Maria, there was only and ever Natalia. Her consuming obsession with Natasha, Natalia's pet name, was the one thing no one questioned about Maria.

The rest of her life was a masquerade, with Maria assuming different disguises.

Natalie Wood's mother came into the world somewhere in Siberia. It was most likely the town of Barnaul, as her oldest child, Olga, believed and ship's records document, though she told a different daughter and a biographer that she was born in Tomsk. They are both close to Russia's border with Mongolia, near the Altai Mountains. Maria's early years were spent in this nethermost, Russian-Asian region of the more than four and a half million square miles known as Siberia, famous for its bitterly cold winters, romanticized for its forests primeval, and considered the ends of the earth.

Maria claimed, throughout her life, to have grown up in fantastical luxury on a palatial Siberian estate with a Chinese cook, three governesses, and a “nyanka” (nanny) per child. But her most cherished belief, or delusion, was that she was related, through her mother, to the Romanovs, Russia's royal family. Her stories-whether true or not, and most who heard them questioned their veracity-”kept you spellbound,” according to a young actor who befriended Maria in the 1980s, after Natalie drowned. “She herself was quite the actress. She spoke in a very dramatic whisper, so you had to lean in, and pay close attention. She used her hands as she would describe in great detail her genealogy from Russia. She would whisper, ‘We were descended from royalty . . .' and you would just hang on every word.”

What is known of Maria's family is that her father, Stepan Zudilov, was married twice. He had four children-two boys, Mikhael and Semen, and two girls, Apollinaria (called Lilia) and Kallisfenia (or Kalia) – by his first wife, Anna. Anna died in childbirth with Kalia in 1905 in Barnaul, where the Zudilovs resided. Stepan took a second bride, who would likewise bear him two sons and two daughters in reverse order: a girl, Zoia, born in 1907, followed by Maria, then Boris and Gleb. Stepan Zudilov's youngest daughter, Maria Stepanovna Zudilova, would become the mother of Natalie Wood.

According to Maria, her mother (also named Maria) was “close relations” to the Romanov family. It is believed her maiden name was Kulev. Whet

Excerpted from Natasha: The Biography of Natalie Wood by Suzanne Finstad
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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