Native North American Art

by Berlo, Janet Catherine; Phillips, Ruth B.

• ISBN13: 9780199947546
• ISBN10: 0199947546
• eBook ISBN(s): 9780197550199
• Additional ISBN(s): 9780192842183
• Edition: 2nd
• Format: Paperback
• Copyright: 2014-09-02
• Publisher: Oxford University Press
• More Book Details

About This Book

Native North American Art: 2nd Edition

ISBN: 9780199947546

Native North American Art, 2nd Edition, is a comprehensive and engaging textbook that explores the rich and diverse world of indigenous North American arts from ancient times to the present. This book is a go-to resource for students and educators alike, offering a detailed survey of the shared themes and imagery found across the continent, as well as the distinctive traditions of each region.

Who Uses It?

Primarily, this book is used by students and instructors in courses focused on Native American cultures, anthropology, art history, and related fields at the college and university levels. It's also a valuable resource for anyone interested in understanding the complexities of Native American art and its significance within indigenous societies.

History and Editions

The 2nd edition of Native North American Art has been updated to incorporate new research and scholarship, examining issues such as art and ethics, gender representation, and the colonial encounter. This edition includes expanded discussions on twentieth- and twenty-first-century arts in all media, featuring works by notable artists like James Luna, Kent Monkman, Nadia Myre, Jaune Quick-to-See Smith, and Will Wilson. The authors, Janet Catherine Berlo and Ruth B. Phillips, have brought together a wealth of information to provide a comprehensive understanding of Native North American art.

Author and Other Works

Janet Catherine Berlo and Ruth B. Phillips are the authors of Native North American Art. Both authors are renowned scholars in the field of Native American art and culture. Janet Berlo has written extensively on indigenous art and culture, while Ruth Phillips has contributed significantly to the study of Native American visual arts. Their collaborative work ensures that this textbook remains current and relevant to contemporary discussions in the field.

Key Features

• Comprehensive Coverage: The book covers 3,000 years of Native North American art, including architecture, wood and rock carvings, basketry, dance masks, clothing, and more.
• Diverse Perspectives: It explores both shared themes and imagery found across the continent as well as distinctive regional traditions.
• Contemporary Art: The text includes detailed discussions on twentieth- and twenty-first-century arts in all media.
• Scholarly Insights: The authors incorporate new research and scholarship to examine issues such as art and ethics, gender representation, and the colonial encounter.
• Visual Arts Context: By bringing together the seemingly separate realms of the sacred and the secular, the political and the domestic, and the ceremonial and the commercial, this book shows how visual arts maintain the integrity of spiritual and social systems within Native North American societies.

Detailed Information

ISBNs and Formats

• eBook: ISBN-13: 9780199947546
• Paperback: ISBN-13: 9780197550199 (2nd edition)
• Rental Options: Available for rent from various retailers with free shipping on rental returns.

Publication Details

• Publisher: Oxford University Press
• Publication Date: Not specified in the provided sources
• Number of Pages: Not specified in the provided sources
• Language: English

Other Editions and Formats

• First Edition: Available through Oxford University Press and other retailers
• Related ISBNs:
• 9780197550199 (Paperback, 2nd edition)
• 9780199947546 (eBook, 2nd edition)
• 9780199947546 (eBook, 2nd edition) - This is the primary ISBN for the eBook format.

This detailed information section provides a quick reference for all the available formats and sources for Native North American Art, 2nd Edition, making it easier to find and access the book in the preferred format.

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Author Biography

Janet Catherine Berlo is Professor of Visual and Cultural Studies at the University of Rochester. She has taught Native American art history as a visiting professor at Harvard, Yale, and UCLA, and has received grants from the Guggenheim Foundation, the Getty Foundation, and the National Endowment for the Humanities.

Ruth B. Phillips is Canada Research Chair and Professor of Art History at Carleton University in Ottawa. She has served as director of the University of British Columbia Museum of Anthropology and as president of Comité International d'Histoire de l'Art (CIHA), UNESCO's world art history organization. She has been a visiting professor at Cambridge and Harvard Universities and is a fellow of the Royal Society of Canada.

Table of Contents

List of Abbreviations
Timeline

1. An Introduction to the Indigenous Arts of North America

Art history and Native Art: The Challenge of Inclusion
--Modes of Appreciation: Curiosity, Specimen, Art
--Object in Focus: the National Museum of the American Indian
--Expanding Art History's Inclusivity, and Defining "Art"

Colonial Legacies
--Ownership and Public Display
--Issue in Focus: 'Who Owns Native Culture?
--Commodification and Authenticity
--Who Is an Indian? Clan, Community, Political Structure, and Art

Spiritual Practices and the Making of Art
--The Map of the Cosmos
--The Nature of Spirit
--Dreams and the Vision Quest
--Shamanism

Social Practices and the Making of Art
--Public Celebration: Displaying and Transferring Power and Authority
--The Power of Personal Adornment
--"Creativity Is Our Tradition": Innovations and Retention
--Gender and the Making of Art
--Artist in Focus: Kent Monkman

2. The Southwest

The Southwest as a Region

The Ancient World: Anasazi, Mimbres, Hohokam
--Ancestral Puebloan Architecture, Ritual and Worldview
--Ancestral Puebloan Fiber Arts
--Ancestral Puebloan Pottery
--An Animated Universe: Mimbres Painted Bowls
--Object in Focus: Mimbres Pottery Designs-Trajectories and Transformations
--Hohokam Art and Culture
--Paquimé: Crossroads of Cultures 1250 - 1450 CE

From Late Precontact to the Colonial Era to the Modern Pueblos
--Pecos Pueblo: An Intercultural Zone
--Pueblo Architectural Space and Ritual Performance
--Pueblo Pottery
--Artists in Focus: Maria and Julian Martinez

Navajo and Apache Arts
--Arts of Medicine and Performance
--Navajo Weaving and the Powers of Transformation
--Materials in Focus: Wools for Navajo Weaving
--Apache and O'odham Baskets
--Navajo and Pueblo Jewelry

3. The East

The East as a Region
--Precontact Art Traditions: Archaic, Woodland, and Mississippian Civilizations
--The Archaic Period
--The Woodland Period
--Mississippian Art and Culture

The Southeast: The Cataclysm of Contact
--A Continuum of Basketry: Chitimacha Traditionalism and Beyond
--Reconfiguring Southeastern Arts: Seminole and Miccosukee Textiles

The Northeast and the Great Lakes
--The Early Contact Period
--Arts of the "Middle Ground"
--Object in Focus: The Assiginack Canoe
--Arts of Self-Adornment
--Techniques in focus: quillwork and beadwork
--In the Bag: A Mini-History of Change Told Through Bags
--Artist in Focus: Caroline Parker
--Souvenir Arts

4. The West

The West as a Region

The Great Plains

The Plateau, The Great Basin, and California

Art of the Great Plains
--Women's Arts
--Technique in Focus: Tanning a Hide
--Men's Arts
--Arts of Survival and Renewal
--Artist in Focus: Silver Horn: Chronicler of Kiowa Life
--An Aesthetic of Excess
--Métis Art: "The Flower Beadwork People"

The Intermontaine Region-An Artistic Crossroads
--Object in Focus: A Bride's Wealth and a Community's Wealth

The Far West: Arts of California and the Great Basin
--Chumash baskets and the California Mission System
--The 'Basketry Craze' and the Arts and Crafts Movement
--Lower Klamath River baskets
--Pomo baskets: "Wrought with Feathers"
--Washoe Baskets and the Power of Marketing

5. The North

The North as a Region

Arts of the Boreal Forests
--The Beothuk: "Perhaps They Were Not All Erased"
--Clothing Arts to Please the Animals
--Painted Coats of the Innu: Pleasing the Spirits of Caribou
--The James Bay Cree: From Painted Geometries to Beaded Flowers
--Dene Clothing for Protection and Beauty

The Arctic
--Ancient Artists of the Arctic
--Historic and Contemporary Arts of the Arctic
--Arctic Architecture: Igloo, Tent, and House
--Garments for Warmth and Beauty
--Technique in Focus: Working with Gutskin
--Artist in Focus: Nivisanaaq and Her Beaded Parka
--Arts of Festival, Performance, and Success in the Hunt
--Object in Focus: The Ttravels of a Raven Mask
--Arts for New Markets: Baskets, Carvings, Dolls, and Textiles
--Graphic Arts: Chronicling Life and Recalling the Past

Toward the Twenty-First Century in the North

6. The Northwest Coast

The Northwest Coast as a Region

The Development of Styles: Local Variations and Regional Continuities Across Time
--The Origins of Northwest Coast Artistic Styles: The Archaeological Record
--The Early Contact Period
--The Formline Style
--Technique in Focus: Finger-weaving a Chilkat Blanket
--Western Connoisseurship and Northwest Coast Art
--Object in Focus: A Tsimshian Mask and Questions of Patrimony

Contexts for Art: Power, Status, and Cross-Cultural Exchange
--Shamanism
--Crest Art
--The Potlatch
--Art, Commodity, and Oral Tradition
--Artists in Focus: Charles and Isabella Edenshaw

Northwest Coast Art Since the Beginning of the Twentieth Century

7. Native Art 1900-1980: Moderns and Modernists

The Multiplicity of Modernisms
--Problems of Definition: Indigenous, Modern, Modernist
--Primitivism, the "Time-Lag," and Multiple Modernisms
--The "Contemporary Traditional" in Twentieth-Century Art
--Moments of Beginning
--Schooling the Modern Native North American Artist
--The Southern Plains and the Kiowa Five
--Pueblo Painting and the Rise of the "Studio Style"
--The Display and Marketing of American Indian Art: Exhibitions, Mural Projects, and Competitions
--Object in Focus: "Book Cover of "Introduction to American Indian Art" (1931)

Moderns and Modernists at the Mid-Century
--Pioneering Modernists: Howe, Herrera, Houser
--The Institute of American Indian Arts
--Twentieth-Century Native Art in Alaska
--Institutional Frameworks and Modernisms in Canada
--Inventing 'Inuit Art'
--Technique in Focus: Inuit Stonecut Prints
--Tradition in Modernity on the Northwest Coast
--Anishinaabe Modern and Plains Abstraction: Morrisseau and Janvier

Artists and Activists in Canada: The 1970s and 1980s
--The Indians of Canada Pavilion at Expo 67
--Professionalization and Experimentation: Decolonizing Modernism
--Artist in Focus: Fritz Scholder

8. Native Cosmopolitanisms: 1980 and Beyond

The 1980s and the Rise of a Contemporary Native Art Movement
--The Artist as Trickster
--Institutional Contexts

Contemporary Art: Media, Expressive Modes, Artistic Choices
--Painting and Graphic Arts
--Artist in Focus: Jaune Quick-to-See Smith-
--Artist and Advocate

Photography

Craft in Art: Fiber, Metal, Clay, and Beyond
--Concept in Focus: What Is "Craft"?

Sculpture and Mixed Media

Installation
--Object in Focus: Edgar Heap of Birds' Wheel

Performance

Film, Video, and New Media

Preeminent Issues in Native Art Since 1980
--Postcolonial Perspectives on Sovereignty, Home, and Homelands
--Ecology and the Land
--The Native Body
--Globalism and the Transnational

Conclusion: "Celebrate 40,000 Years of American Art" - But Be Vigilant

Notes
Bibliographic Essay
Index