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Preface to the Third Edition | |
Introduction: What Makes "Art" such a Problematic Concept? | |
Art as Imitation: Plato | |
Art as Cognition: Aristotle | |
Art as Object of Taste: David Hume | |
Art as Communicable Pleasure: Immanuel Kant | |
Art as Revelation: Arthur Schopenhauer | |
Art as the Ideal: G. W. F. Hegel | |
Art as Redemption: Friedrich Nietzsche | |
Art as Communication of Feeling: Leo N. Tolstoy | |
Art as Symptom: Sigmund Freud | |
Art as Significant Form: Clive Bell | |
Art as Expression: R. G. Collingwood | |
Art as Experience: John Dewey | |
Art as Truth: Martin Heidegger | |
Art as Auratic: Walter Benjamin | |
Art as Indefinable: Morris Weitz | |
Art as Symbolic Form: Suzanne K. Langer | |
Art as Exemplification: Nelson Goodman | |
Art as Industry: Theodor W. Adorno | |
Art as Theory: Arthur Danto | |
Art as Institution: George Dickie | |
Art as Epistemology: Michel Foucault | |
Art as Aesthetic Production: Monroe C. Beardsley | |
Art as Practice: Nöel Carroll | |
Art as Make-Believe: Kendall Walton | |
Art as Deconstructable: Jacques Derrida | |
Art as Feminism: Carolyn Korsmeyer | |
Art as Cultural Production: Pierre Bourdieu | |
Art as Simulation: Jean Baudrillard | |
Art as Postcolonial: Kwame Anthony Appiah | |
Art as a Cluster Concept: Berys Gaut | |
Art as the Arts: Dominic McIver Lopes | |
About the Authors | |
Credits List | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.