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Acknowledgments | |
Introduction | |
Movies and Money | |
Auteur Cinema and the "Film Generation" in 1970s Hollywood | |
Auteurs and the New Hollywood | |
From Roadshowing to Saturation Release: Majors, Independents, and Marketing/Distribution Innovations | |
Money Matters: Hollywood in the Corporate Era | |
Cinema and Culture | |
A Rose Is a Rose? Real Women and a Lost War | |
From Pillar to Postmodern: Race, Class, and Gender in the male Rampage Film | |
Your Self Storage: Female Investigation and Male Performativity in the Woman's Psychothriller | |
Conspiracy Theory and Political Murder in America: Oliver Stone's JFK and the Facts of the Matter | |
Zooming Out: The End of Offscreen Space | |
Independents and Independence | |
John Cassavetes: Amateur Director | |
Independent Features: Hopes and Dreams | |
A Circus of Dreams and Lies: The Black Film Wave at Middle Age | |
Culture as Fiction: The Ethnographic Impulse in the Films of Peggy Ahwesh, Su Friedrich, and Leslie Thornton | |
Selective Bibliography | |
Contributors | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.