Foreword | p. vii |
Preface | p. xv |
Acknowledgments | p. xvii |
False Sky: Introduction to the Japanese Edition of Ultramarine | p. 1 |
Sleeping and Waking: Raymond Carver's Late Poetry of Loss | p. 8 |
"It's like, but not like, a dream": On Reading Ultramarine | p. 20 |
The Vocabulary of Affection: Attitudes toward Objects, Characters, and Other Writers in the Poetry of Raymond Carver | p. 35 |
In a Mature Light: The "Second Life" Poems in Where Water Comes Together with Other Water and Ultramarine | p. 46 |
Raymond Carver's Poet-Voyeur as Involved Spectator | p. 62 |
American Voyeurism: Why Does Raymond Carver Want Us to Watch? | p. 75 |
Seeing Ourselves from the Outside: Voyeuristic Empathy in Raymond Carver's Will You Please Be Quiet, Please? | p. 92 |
The Voluminous Impact of Television in the Fiction of Raymond Carver | p. 104 |
McCarthy's Mailmen: The Cold War, Raymond Carver, and "What Do You Do in San Francisco?" | p. 115 |
Raymond Carver and Alcoholics Anonymous: A Narrative under the "Surface of Things" | p. 132 |
Laughter's Creature: The Humor of Raymond Carver | p. 154 |
The Poetics of the Banal in Elephant and Other Stories | p. 173 |
Bulletproof | p. 187 |
Contributors | p. 197 |
Index | p. 201 |
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