Preface | p. viii |
Introduction: Why Did Philosophy Go to the Movies? | p. 1 |
The Analytic-Cognitivist Turn | p. 11 |
The Empire Strikes Back: Critiques of 'Grand Theory' | p. 13 |
The Rules of the Game: New Ontologies of Film | p. 28 |
Adaptation: Philosophical Approaches to Narrative | p. 45 |
From Cognitivism to Film-Philosophy | p. 65 |
A. I.: Cognitivism Goes to the Movies | p. 67 |
Bande a part: Deleuze and Cavell as Film-Philosophers | p. 90 |
Scenes From a Marriage: On the Idea of Film as Philosophy | p. 117 |
Cinematic Thinking | p. 137 |
Hollywood in Trouble: David Lynch's INLAND EMPIRE | p. 141 |
'Chaos Reigns': Anti-Cognitivism in Lars von Trier's Antichrist | p. 157 |
Song of the Earth: Cinematic Romanticism in Terrence Malick's The New World | p. 177 |
Coda: 'The Six Most Beautiful Minutes in the History of Cinema' | p. 194 |
Notes | p. 197 |
Appendix: Further Reading, Filmographies, Websites | p. 208 |
Bibliography | p. 220 |
Filmography | p. 233 |
Index | p. 239 |
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