Nor-tec Rifa! Electronic Dance Music from Tijuana to the World

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  • Format: Hardcover
  • Copyright: 2008-03-21
  • Publisher: Oxford University Press

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At the dawn of the twenty-first century, the Nor-tec phenomenon emerged from the border city of Tijuana and through the Internet, quickly conquered a global audience. Marketed as a kind of "ethnic" electronic dance music, Nor-tec samples sounds of traditional music from the north of Mexico, and transforms them through computer technology used in European and American techno music and electronica. Tijuana has media links to both Mexico and the United States, with peoples, currencies, and cultural goods--perhaps especially music--from both sides circulating intensely within the city. Older residents and their more mobile, cosmopolitan-minded children thus engage in a constant struggle with identity and nationality, appropriation and authenticity. Nor-tec music in its very composition encapsulates this city's struggle, resonating with issues felt on the global level, while holding vastly different meanings to the variety of communities that embrace it. With an impressive hybrid of musicology, ethnomusicology, cultural and performance studies, urbanism, and border studies, Nor-tec Rifa! offers compelling insights into the cultural production of Nor-tec as it stems from norteƱa, banda, and grupera traditions. The book is also among the first to offer detailed accounts of Nor-tec music's composition process.

Author Biography

Alejandro L. Madrid is a musicologist and cultural theorist whose research focuses on the intersection of modernity, tradition and globalization in music and expressive culture from Mexico and the U.S.-Mexico border. In 2005 Alejandro received the prestigious Casa de las Americas Musicology Prize. He is Assistant Professor of Latin American and Latino studies at the University of Illinois at Chicago.

Table of Contents

List of Figuresp. xiii
List of Music Examplesp. xv
Introduction: Nor-tec and the Bordersp. 3
Origins Revisited: Myth and Discourse in the Nortec Collectivep. 24
Tradition, Style, Nostalgia, and Kitschp. 50
Getting the Word Aroundp. 87
"Where's the Donkey Show, Mr. Mariachi?": Reterritorializing TJp. 114
Producers, DJs, VJs, Fans, and the Performance of Nor-tecp. 147
Dancing with Desirep. 169
Nor-tec and the Postnational Imaginationp. 189
Notesp. 205
Bibliographyp. 227
Indexp. 243
Table of Contents provided by Ingram. All Rights Reserved.

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