Introduction | |
The Context for Music Education | |
Music and Music Education | |
21st Century Music Education | |
The Musician Prepares to Teach | |
The Present | |
Music's Uniqueness | |
The Two-Path Program | |
Principles | |
Music and the Total School Program | |
American Society and Support for Schooling | |
Equity | |
Society/Culture | |
Funding and Curriculum | |
Leadership | |
Who Makes Decisions? Guidelines for Decisions | |
Partnerships | |
Curricular Issues | |
Forces that Bear Upon the Curriculum | |
The Marketplace and Democracy | |
Summary | |
References | |
The Educational Landscape | |
The Educational Ecosystem | |
The Educational Ecosystem at the Beginning of the 21st Century | |
Milieu | |
Reform | |
School Choice | |
School Governance and Management | |
Restructuring | |
Technology | |
Desegregation | |
Church/State | |
School Finance | |
Parents | |
Welfare Reform and Adult Education | |
Gender Issues | |
Sexual Harassment/Child Abuse | |
Subject Matter | |
Standards | |
Other Content Reform Efforts | |
Core Knowledge | |
Coalition of Essential Schools & Annenberg | |
Character Education | |
Assessment | |
Students | |
Enrollment | |
Immigration | |
Early Childhood Education | |
Special Education | |
Teachers | |
Teacher Preparation | |
Center for Educational Renewal | |
Holmes Partnership | |
Teacher Licensure | |
The Educational Ecosystem in Retrospect | |
Footnotes | |
References | |
The Significance and Process of Decision Making | |
Findings from the Field of Education | |
Psychological Foundations | |
Piaget | |
Vygotsky | |
Brown | |
Discovery Learning | |
Bereiter | |
Dweck | |
Gardner | |
Sociological Foundations | |
Other Objectives of the Music Teacher | |
Standards | |
Standards for Arts Education | |
Voluntary National Standards in Music | |
The Required Music Program and the Elective Music Program | |
The Core | |
Teaching for Understanding | |
Some Specific Objectives | |
The Status and History of Objectives in School Music | |
Philosophy | |
References | |
Organizing Instruction | |
Writing Objectives | |
Program Objectives | |
Instructional Objectives | |
Relationship with Assessment | |
Plans | |
Individual vs | |
Group Objectives | |
Group Objectives | |
Individual Objectives | |
Who Formulates Objectives? Top-Down Objectives | |
Bottom-Up Objectives | |
Curriculum Guidelines | |
Funded Curriculum Projects | |
The Real Curriculum | |
Methods Courses and Objectives | |
Individual Skill Objectives | |
Individual Skills | |
Taxonomies | |
Musical Skills | |
Skill Learning in General Music | |
Musical Memory | |
Skills and Scheduling Implications | |
Sequencing | |
Affective Objectives | |
Related Objectives | |
Process Objectives: Values, Decision Making, Performance, Problem Solving, Process Objectives | |
The Performance Process | |
Group Objectives | |
Group Cognitive Objectives | |
Group Affective Objectives | |
Other Objectives | |
References | |
On Becoming and Being a Music Teacher: An Open Letter | |
Looking in the Rearview Mirror | |
Looking Around You | |
Looking Ahead | |
Moving Along | |
Postscript | |
References | |
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