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9780192844729

The Oxford History of the Novel in English Volume 8: American Fiction since 1940

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  • ISBN13:

    9780192844729

  • ISBN10:

    0192844725

  • Format: Hardcover
  • Copyright: 2024-05-08
  • Publisher: Oxford University Press

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Summary

The Oxford History of the Novel in English is a twelve-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction, written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies.

This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of the Covid-19 pandemic. The aftermath of the Second World War was arguably the high point of US nationalism, but in the years that followed, US writers would increasingly explore the possibility that US democracy was a failure, both at home and abroad. For so many of the writers whose work this volume explores, the idea of "nation" became suspect as did the idea of "national literature" as the foundation for US writing. Looking at post-1940s writing, the literary historian might well chart a movement within literary cultures away from nationalism and toward what we would call "cosmopolitanism," a perspective that fosters conversations between the occupants of different cultural spaces and that regards difference as an opportunity to be embraced rather than a problem to be solved. During this period, the novel has had significant competition for the US public's attention from other forms of narrative and media: film, television, comic books, videogames, and the internet and the various forms of social media that it spawned. If, however, the novel becomes a "residual" form during this period, it is by no means archaic. The novel has been reinvigorated over the past eighty years by its encounters with both emergent forms (such as film, television, comic books, and digital media) and the emergent voices typically associated with multiculturalism in the United States.

Author Biography


Cyrus R. K. Patell, Professor of English, New York University,Deborah Lindsay Williams, Clinical Professor of Liberal Studies, New York University

Cyrus R. K. Patell is Professor of English at New York University. He received his AB, AM, and PhD in English and American Literature and Language from Harvard University. His scholarship and teaching center on the theory and practice of world literature; cosmopolitanism; Global Shakespeare; Star Wars; minority discourse theory; literary historiography; and US literary history. His books include Emergent Us Literatures: From Multiculturalism in the Late Twentieth Century (NYU Press, 2014); Cosmopolitanism and the Literary Imagination (Palgrave Macmillan, 2015); and, most recently, Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe (Bloomsbury, 2021).

Deborah Lindsay Williams is Clinical Professor of Liberal Studies at New York University. Her essays have appeared in such publications as The New York Times, Paris Review, Brevity, and The Common. She has published widely about children's literature and about US women's writing, including Not in Sisterhood: Edith Wharton, Willa Cather, Zona Gale, and the Politics of Female Authorship (Palgrave Macmillan, 2001) and, most recently, The Necessity of Young Adult Fiction in OUP's Literary Agenda series (2023).

Table of Contents


Introduction, Cyrus R. K. Patell and Deborah Lindsay Williams
Exemplum: Vladimir Nabokov, Lolita (1958), Cyrus R. K. Patell and Deborah Lindsay Williams
Part I. THE NOVEL AND THE CULTURE INDUSTRY
1. The Production and Circulation of the US Novel, Nikolaj Ramsdal Nielsen, Cyrus R. K. Patell, and Deborah Lindsay Williams
Exemplum: Andrew Sean Greer, Less (2017), Nikolaj Ramsdal Nielsen
2. Prize Winning Modernism and Its Discontents, Ella Williamson and Cyrus R. K. Patell
Exemplum: William Faulkner, A Fable (1954), Ella Williamson
3. Middlebrow Reading, Jaime Harker
Exemplum: Patricia Highsmith, The Price of Salt (1952), Jaime Harker
4. The Novel versus the Moving Image, Marc Dolan
Exemplum: Clockers (novel by Richard Price, 1992; film by Spike Lee, 1995), Marc Dolan
5. Mediating the Novel in the Age of Warhol, Bryan Waterman
Exemplum: Don DeLillo, Americana (1971), Bryan Waterman
6. US Postmodernist Fiction, Heinz Ickstadt
Exemplum: Robert Coover, The Public Burning (1977), Heinz Ickstadt
7. Shattering the Feminine Mystique, Catherine Keyser
Exemplum: Shirley Jackson, We Have Always Lived in the Castle (1962), Catherine Keyser
8. The US War Novel, Patrick Deer
Exemplum: Karl Marlantes, Matterhorn (2009), Patrick Deer
Part II. FICTIONS OF IDENTITY
9. The Wright Era, Werner Sollors
Exemplum: Richard Wright, Native Son (1940), Werner Sollors
10. Jewish American Fiction, Karen E. H. Skinazi
Exemplum: Allegra Goodman, Kaaterskill Falls: An American Story (1998), Karen E. H. Skinazi
11. Cosmopolitanism and the Indigenous Novel, Cyrus R. K. Patell
Exemplum: Leslie Marmon Silko, Ceremony (1977), Cyrus R. K. Patell
12. The Latinx Novel, Ralph E. Rodriguez
Exemplum: Manuel Muñoz, What You See in the Dark (2011), Ralph E. Rodriguez
13. The Asian American Novel, Tina Chen
Exemplum: Theresa Hak Kyung Cha, Dictee (1982), Tina Chen
14. The LGBTQ Novel, Scott Herring
Exemplum: Andrew Holleran, Dancer from the Dance (1978), Scott Herring
15. The Hemispheric Arab American Novel, Waïl S. Hassan
Exemplum: Susan Abulhawa's Mornings in Jenin (2010), Helen Makhdoumian
16. Disability and the Novel, Rachel Adams
Exemplum: Jonathan Lethem, Motherless Brooklyn (1999), Rachel Adams
Part III. FORMS AND GENRES
17. Historical Fiction, James J. Donahue
Exemplum: Joyce Carol Oates, Blonde (2000), James J. Donahue
18. The Short Story, Siobhan Fallon
Exemplum: Russell Banks, Trailerpark (1981), Jim Savio
19. Science Fiction, Edward James
Exemplum: Frank Herbert, Dune (1965), Edward James
20. The Romance Novel, Lauren Horst
Exemplum: J. R. Ward, Dark Lover (2005), Lauren Horst
21. The Detective Novel and Film, Paul Grimstad
Exemplum: Paul Auster, City of Glass (1985), Paul Grimstad
22. Children's and Young Adult Fiction, Deborah Lindsay Williams
Exemplum: Nnedi Okorafor, Akata Witch (2011), Deborah Lindsay Williams
23. The Graphic Novel, Eliot Borenstein
Exemplum: Alan Moore and Dave Gibbons, Watchmen (1987), Eliot Borenstein
Part IV. CRITICAL GEOGRAPHIES
24. Regionalism, Donna L. Campbell
Exemplum: Marilynne Robinson, Gilead (2004), Donna L. Campbell
25. Ground Zero Fiction and the 9/11 Novel, Birgit Däwes
Exemplum: Jonathan Safran Foer, Extremely Loud and Incredibly Close (2005), Birgit Däwes
26. The Anthropocene Novel, Stephanie LeMenager
Exemplum: Octavia Butler, Parable of the Sower (1993), Stephanie LeMenager
Coda, Cyrus R. K. Patell and Deborah Lindsay Williams

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