Prologue | p. 6 |
On the Pleasure of Depicting the Present | p. 10 |
Painting? A State of Utter Idiocy | p. 20 |
Painting Has Always Been a Digital Affair | p. 30 |
The Painting of the Men from Mars: Media, Models, Monuments | p. 36 |
The Best Destinations Are Just Down the Street: Where Painters Travel to Today | p. 42 |
The Ego as Original-copy | p. 46 |
New Romanticism | p. 49 |
Painting and Film in the Work of David Reed and Sarah Morris | p. 52 |
Distraction and Compaction: Fine arts in the Media Civilization as Epitomized | p. 58 |
Color Plates | p. 65 |
Appendix | |
Artists in the Exhibition | p. 193 |
Checklist | p. 233 |
General Bibliography | p. 238 |
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