Introduction : a sense of geography | p. 7 |
Prayer, time and space | p. 14 |
What is Islamic art? | p. 17 |
The Sasanian inheritance | p. 20 |
The art of the Qur'an | p. 26 |
Textiles and burial | p. 32 |
The non-Muslim presence | p. 38 |
The Isfahan cope | p. 40 |
The issue of images | p. 43 |
A Safavid clock dial | p. 46 |
The Chelsea carpet | p. 54 |
An Ottoman tradition in Calligraphy | p. 60 |
Khusraw and Shirin | p. 66 |
The Ardabil carpet | p. 74 |
The poetic environment | p. 77 |
Ivories from Spain | p. 80 |
Hoards | p. 88 |
Patrons and markers | p. 91 |
A rock-crystal ewer | p. 94 |
The minbar of Sultan Qa'itbay | p. 100 |
The luck of Edenhall | p. 108 |
Interaction | p. 111 |
Caskets and hunting horns | p. 114 |
A bowl from Malaga | p. 120 |
Silver and brass | p. 126 |
Armistice day, 1918 | p. 132 |
Epilogue : Islamic art in South Kensington | p. 134 |
Robert Murdoch Smith | p. 136 |
The dynasties | p. 138 |
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