Introduction | p. vii |
Planes | |
Beverly Home | p. 3 |
Edison, New Jersey | p. 17 |
Marie | p. 30 |
Circle of Prayer | p. 44 |
On the Nature of Human Romantic Interaction | p. 65 |
Immortality | p. 83 |
The Revisionist | p. 102 |
Epstein | p. 117 |
Trains | |
Why Don't You Dance? | p. 141 |
Greasy Lake | p. 147 |
The Lily-White Boys | p. 158 |
Marabou | p. 164 |
Lifeline | p. 169 |
Break It Down | p. 176 |
Killer Miller | p. 183 |
The Index | p. 188 |
Seven Romances | p. 196 |
Nairobi | p. 202 |
My Aunt Gold Teeth | p. 209 |
Elevators | |
Piccola Commedia | p. 221 |
Nighthawks | p. 224 |
Immortal Longings | p. 226 |
In Berlin | p. 228 |
From "Strip" | p. 229 |
Still Life | p. 233 |
This Is the Life | p. 234 |
12 years old | p. 236 |
Lithium Sonnet | p. 238 |
First Bodies | p. 239 |
The Cat Inside | p. 241 |
Airplane | p. 242 |
In a Prominent Bar in Secaucus One Day | p. 244 |
Heroin | p. 246 |
Referred Back | p. 248 |
Ward 10 | p. 249 |
The Crease | p. 251 |
The Korean Community Garden in Queens | p. 253 |
Of That City, the Heart | p. 256 |
The Purse-Seiner Atlantis | p. 258 |
Why It Often Rains in the Movies | p. 260 |
From My Window | p. 262 |
What I Have Been Doing Lately | p. 265 |
On Turning Ten | p. 269 |
Waiting Rooms | |
Open House | p. 273 |
The Mansion on the Hill | p. 302 |
The Palace Thief | p. 339 |
Contributors | p. 381 |
Acknowledgments | p. 385 |
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