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Acknowledgments | p. vii |
Introduction the Politics of Passing | p. 1 |
Notes | p. 16 |
Passing to Freedom | p. 19 |
The Subaltern as Imperialist: Speaking of Olaudah Equiano | p. 21 |
Notes | p. 36 |
"A Most Respectable Looking Gentleman": Passing, Possession, and Transgression in Running a Thousand Miles for Freedom | p. 37 |
Notes | p. 53 |
the (re)construction of Race | p. 57 |
The Autobiography of an Ex-Coloured Man: (passing For) Black Passing for White | p. 59 |
Notes | p. 73 |
Sliding Significations: Passing as a Narrative and Textual Strategy in Nella Larsen's Fiction | p. 75 |
Notes | p. 98 |
Blackness and the White Imagination | p. 101 |
Spanish Masquerade and the Drama of Racial Identity in Uncle Tom's Cabin | p. 103 |
Notes | p. 123 |
Blackness and the Literary Imagination: Uncovering the Hidden Hand | p. 131 |
Notes | p. 149 |
"A Most Disagreeable Mirror": Reflections on White Identity in Black like Me | p. 151 |
Notes | p. 176 |
Creating the Self | p. 179 |
Confederate Counterfeit: the Case of the Cross-Dressed Civil War Soldier | p. 181 |
Notes | p. 213 |
Displacing Desire: Passing, Nostalgia, and Giovanni's Room | p. 218 |
Notes | p. 232 |
Passing for White, Passing for Black | p. 234 |
Note | p. 269 |
Works Cited | p. 271 |
Index | p. 285 |
Contributors | p. 297 |
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