Introduction: Passionate detachments | |
Forerunners and beginnings | |
Structures of fascination: Ideology, representation and the unconscious | |
Female spectators, melodrama, and the Woman's film | |
Negotiating the text: Spectator positions and audience readings | |
Fantasy, horror, and the body | |
Re-reading difference(s) | |
Conceiving lesbian desire | |
Re-reading difference(s) | |
Race, representation, and feminist theory | |
Postmodern scepticism | |
Notes | |
Bibliography | |
Index | |
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