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9780743285223

The Perfect Thing; How the iPod Shuffles Commerce, Culture, and Coolness

by
  • ISBN13:

    9780743285223

  • ISBN10:

    0743285220

  • Format: Hardcover
  • Copyright: 2006-10-24
  • Publisher: Simon & Schuster

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

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Summary

"The Perfect Thing is the definitive account, from design and marketing to starting impact, of Apple's iPod, the signature device of our young century."--BOOK JACKET.

Author Biography

Steven Levy is a senior editor and the chief technology correspondent for Newsweek magazine.

Table of Contents

Author's Note xi
iPod Timeline xv
Perfect
1(20)
Download
21(34)
Cool
55(32)
Origin
87(32)
Podcast
119(28)
Identity
147(22)
Apple
169(30)
Personal
199(28)
Shuffle
227(28)
Coda
255(2)
Notes 257(14)
Acknowledgments 271(2)
Index 273

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

Perfect Just what is it about the iPod? It weighs 6.4 ounces and consists of a few layers of circuit boards and electronic components, covered by a skin of white polycarbonate and stainless steel. It's slightly smaller than a deck of cards. On the front is a screen smaller than a Post-it note, perched over a flattened wheel. It doesn't have an on-off switch. If you didn't know what it was, you might guess that it was a sleek, high-priced thermostat, meant to control temperature in a high-priced condominium. A very sexy detached thermostat that feels very good when you palm it. But you almost certainly do know what it is -- a portable digital music player that holds an entire library of tunes -- because it is the most familiar, and certainly the most desirable, new object of the twenty-first century. You could even make the case that it is the twenty-first century. It arrived in October 2001, bringing the promise of pleasure to a world in transformation from its comforting analog roots to a disruptive digital future. The world did not fete it with parades. In October 2001, the world had its own problems. The newcomer was welcomed by fans of Apple Computer, the company that makes the iPod, and there was a generalized feeling that a new twist in gadgetry had arrived. There were some glowing reviews in newspapers and magazines. But...this?No one expectedthis. Here's whatthisis. The triumph of the iPod is such that the word "success" falls far short of describing it. Its massive sales don't begin to tell the story. When Apple began work on the crash project that would become the iPod, its leaders saw the device as an enhancement of the Macintosh computer -- which despite a recent rejuvenation had not gained more than a 4 percent share of the PC market. To that end, the iPod was seen as somewhat of a breakthrough, a significant one with the potential to nudge the company in a new direction. But none of the wizards at Apple headquarters in Cupertino, California, could know that the iPod would become the most important product in Apple's history since 1984's trailblazing Mac computer (if not more important). No one thought that within four years it would change Apple from a computer company to a consumer electronics giant deriving almost 60 percent of its income from music-related business. No one thought the iPod would change the music business, not only the means of distribution but even the strategies people would use to buy songs. No one envisioned subway cars and airplane cabins and street corners and school lounges and fitness centers where vast swathes of humanity would separate themselves from the bonds of reality via the White Earbud Express. No one expected that there would be magazine covers and front-page newspaper stories proclaiming this an "iPod Nation." No one predicted that listening to the iPod would dethrone quaffing beer as the most popular activity for undergraduate college students. And certainly no one thought that the name of this tiny computercummusic player would become an appellation to describe an entire generation or a metaphor evoking any number of meanings: the future, great design, short attention span, or just plain coolness. But that's what happened. Type "iPod" into the Google search engine, and you will get more than half a billion hits. If you focus your search to see what ordinary people are saying about it, type the word "iPod" into a blog search engine like Technorati or the search field in craigslist, you will be injected into a vast collective cerebrum of 'pod gazing, as people natter endlessly about how they love their iPods, what they play on their iPods, and how the world would end if they lost their iPods. (Some people actually use the iPod platform as a means of conveying their passion -- recording their thoughts on "podcasts" to be downloaded and played...on iPods!) Nearly everyone who owns one becomes obsessed with it

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