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9780761910398

Performance Ethnography : Critical Pedagogy and the Politics of Culture

by
  • ISBN13:

    9780761910398

  • ISBN10:

    0761910395

  • Format: Paperback
  • Copyright: 2003-06-24
  • Publisher: SAGE Publications, Inc

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Summary

Norman K. Denzin feels that now is the time to take stock of reflexive performance, ethnography, and autoethnography; to evaluate where each has been and where they are going, especially as they pertain to the study of democracy and racism in postmodern America. In Performance Ethnography, one of the worlda??s most distinguished authorities on qualitative research, established the initial published connection of performance narratives with performance ethnography and autoethnography; the linkage of these formations to critical pedagogy and critical race theory; and the histories of these formations, and shown how they may be connected. Performance Ethnography is divided into three parts. Part I covers pedagogy, ethnography, performance, and theory as the foundation for a performative social science. Part II addresses the worlds of family, nature, praxis, and action, employing a structure that is equal parts memoir, essay, short story, and literary autoethnography. Part III examines the ethics and practical politics of performance autoethnography, anchored in the post-9/11 discourse in the United States. The amalgam serves as an invitation for social scientists and ethnographers to confront the politics of cultural studies and explore the multiple ways in which performance and ethnography can be both better understood and used as mechanisms for social change and economic justice.

Author Biography

Norman K. Denzin is Distinguished Professor of Communications, College of Communications Scholar, and Research Professor of Communications, Sociology and Humanities at the University of Illinois.

Table of Contents

Preface ix
Acknowledgments xv
PART I. PERFORMANCE ETHNOGRAPHY
1(130)
The Call to Performance
3(22)
Race and the Call to Performance
4(2)
Indigenous Voices and Anticolonialist Discourse
6(1)
Performance, Pedagogy, and Politics
7(4)
Toward a Performative Cultural Politics
11(3)
The Move to Performance Ethnography
14(6)
Performance Art
20(1)
The Pedagogical as Performative
21(2)
Conclusion
23(2)
The Language of Performance
25(32)
A Genealogy of the Performance Text
27(5)
Interpretive Assumptions
32(5)
A Critical Postmodern Performance Vocabulary
37(5)
The Mystory Text and Its Performance
42(11)
Ethics for a Performative, Pedagogical Cultural Studies
53(3)
Conclusion
56(1)
The Cinematic Society and the Reflexive Interview
57(20)
The Postmodern, Cinematic Society
59(2)
The Birth of Cinematic Surveillance
61(10)
Studying the Interview in the Cinematic Society
71(6)
Toward a Performative Social Science
77(29)
Interpretive Framework
80(4)
Performing the Interview, Performing Society
84(4)
Anna Deavere Smith's Project
88(7)
Performing Racial Memories
95(9)
Conclusion
104(2)
Reading and Writing Performance
106(25)
A Caveat
107(1)
Setting Criteria for Performance Ethnography
108(3)
Feminist, Communitarian Criteria
111(5)
Performative Norms and Criteria
116(2)
Literary and Aesthetic Criteria
118(4)
Performative Understandings in the Seventh Moment
122(2)
Trauma, Race, and the Politics of Interpretation
124(4)
Into the Future
128(3)
PART II. PERFORMANCE TEXTS: BONE DEEP IN LANDSCAPES
131(90)
Two-Stepping in the `90s
137(6)
Mother and Mickey
143(5)
Performing Montana
148(16)
Red Lodge, Montana
149(1)
Experience and Performances
150(12)
Performing Montana
162(2)
Rock Creek History
164(11)
Rock Creek Stories
166(2)
Alicia's Horses
168(7)
Cowboys and Indians
175(9)
Reflexive Afterword
180(1)
A Writing-Story
181(3)
Redskins and Chiefs
184(29)
Prologue
184(1)
Act 1
185(5)
Act 2
190(13)
Act 3
203(10)
Searching for Yellowstone
213(8)
PART III. PEDAGOGY, POLITICS, AND ETHICS
221(42)
Critical Performance Pedagogy
222(20)
The Critical Imagination and Pedagogies of Hope
225(5)
A Performative Cultural Studies
230(5)
A Reflexive Critique of Reflexive Critical Ethnography
235(2)
Critical Performance Pedagogy
237(4)
Conclusion
241(1)
Performance Ethics
242(21)
Cultural Politics and an Indigenous Research Ethic
242(6)
The Biomedical Model of Ethics and the Belmont Principles
248(9)
An Indigenous Feminist, Communitarian Ethic
257(1)
A Red Pedagogy
258(5)
Notes 263(14)
References 277(28)
Index 305(10)
About the Author 315

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