What is included with this book?
Preface | p. ix |
Professional Acknowledgments | p. xii |
Foreword to Students | p. xiii |
The Elements of Fiction | p. 1 |
Reading the Story | p. 3 |
Reviewing Chapter One | p. 9 |
The Most Dangerous Game | p. 9 |
Hunters in the Snow | p. 28 |
Suggestions for Writing | p. 42 |
Understanding and Evaluating Fiction | p. 43 |
Plot and Structure | p. 46 |
Reviewing Chapter Two | p. 54 |
The Destructors | p. 54 |
How I Met My Husband | p. 68 |
Interpreter of Maladies | p. 83 |
Suggestions for Writing | p. 102 |
Characterization | p. 103 |
Reviewing Chapter Three | p. 107 |
Everyday Use | p. 108 |
Miss Brill | p. 116 |
Sonny's Blues | p. 121 |
Suggestions for Writing | p. 149 |
Theme | p. 150 |
Reviewing Chapter Four | p. 157 |
Babylon Revisited | p. 157 |
Misery | p. 176 |
A Worn Path | p. 181 |
Once upon a Time | p. 189 |
Suggestions for Writing | p. 194 |
Point of View | p. 195 |
Reviewing Chapter Five | p. 201 |
Paul's Case | p. 202 |
The Lottery | p. 220 |
The Jilting of Granny Weatherall | p. 228 |
Hills Like White Elephants | p. 236 |
Suggestions for Writing | p. 241 |
Symbol, Allegory, and Fantasy | p. 242 |
Reviewing Chapter Six | p. 253 |
The Rocking-Horse Winner | p. 253 |
Young Goodman Brown | p. 267 |
The Yellow Wallpaper | p. 279 |
A Very Old Man with Enormous Wings | p. 293 |
Suggestions for Writing | p. 299 |
Humor and Irony | p. 301 |
Reviewing Chapter Seven | p. 305 |
The Drunkard | p. 306 |
Rape Fantasies | p. 315 |
The Guest | p. 323 |
Suggestions for Writing | p. 335 |
Evaluating Fiction | p. 336 |
Reviewing Chapter Eight | p. 339 |
The Matchmaker | p. 340 |
The Magic Barrel | p. 351 |
Suggestions for Writing | p. 366 |
Three Featured Writers | p. 367 |
Introduction | p. 369 |
The Sisters | p. 371 |
Araby | p. 378 |
The Boarding House | p. 384 |
Critical Perspectives on Joyce | p. 390 |
From Dubliners: A Pluralistic World | |
On ôThe Sistersö | |
On ôArabyö | |
From ôThe Boarding House Seen as a Tale of Misdirectionö | |
A Good Man Is Hard to Find | p. 402 |
Good Country People | p. 416 |
Everything That Rises Must Converge | p. 434 |
Critical Perspectives on O'Connor | p. 448 |
ôA Reasonable Use of the Unreasonableö | |
ôLetter to a Professor of Englishö | |
From ôA Good Man's Predicamentö | |
On ôGood Country Peopleö | |
On ôEverything That Rises Must Convergeö | |
Where Are You Going, Where Have You Been? | p. 462 |
Life after High School | p. 477 |
June Birthing | p. 491 |
Critical Perspectives on Oates | p. 497 |
From ôStories That Define Me: The Making of a Writerö | |
ôWhere Are You Going, Where Have You Been?' and Smooth Talk: S Story into Filmö | |
On ôWhere Are You Going, Where Have You Been?ö | |
On ôLife After High Schoolö and ôJune Birthingö Suggestions for Writing | |
Writing about Fiction | p. 511 |
Why Write about Literature? | p. 513 |
For Whom Do You Write? | p. 513 |
Two Basic Approaches | p. 515 |
Explication | p. 515 |
Analysis | p. 516 |
Choosing a Topic | p. 516 |
Papers That Focus on a Single Story | p. 517 |
Papers of Comparison and Contrast | p. 517 |
Papers on a Number of Works by a Single Author | p. 518 |
Papers on a Number of Works with Some Feature Other Than Authorship in Common | p. 519 |
Proving Your Point | p. 519 |
Writing the Paper | p. 521 |
Writing In-Class Essays or Essay Tests | p. 523 |
Introducing Quotations (Q1-Q10) | p. 525 |
Documentation | p. 531 |
Textual Documentation (TD1-TD4) | p. 531 |
Parenthetical Documentation (PD1-PD6) | p. 533 |
Documentation by List of Works Cited | p. 535 |
Documentation of Electronic Sources | p. 537 |
Stance and Style (S1-S6) | p. 539 |
Grammar, Punctuation, and Usage: Common Problems | p. 542 |
Grammar (G1-G2) | p. 542 |
Punctuation (P1-P5) | p. 542 |
Usage (U1-U2) | p. 544 |
Writing Samples | p. 547 |
Fiction Explication: The Indeterminate Ending in ôWhere Are You Going, Where Have You Been?ö | p. 547 |
Fiction Analysis: The Function of the Frame Stoty in ôOnce upon a Timeö | p. 549 |
Stories for Further Reading | p. 553 |
The Swimmer | p. 554 |
The Story of an Hour | p. 564 |
A Rose for Emily | p. 566 |
A Jury of Her Peers | p. 574 |
Spunk | p. 593 |
The Real Thing | p. 598 |
The Ones Who Walk Away from Omelas | p. 620 |
Bartleby the Scrivener | p. 626 |
The Tell-Tale Heart | p. 658 |
A Little Burst | p. 662 |
A & P | p. 673 |
Glossary of Terms | p. 679 |
Copyrights and Acknowledgments | p. 683 |
Index of Authors and Titles | p. 687 |
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