Philosophy and Conceptual Art

by Goldie, Peter; Schellekens, Elisabeth

• ISBN13: 9780199568253
• ISBN10: 0199568251
• Format: Paperback
• Copyright: 2009-08-17
• Publisher: Oxford University Press

Summary

The analytic philosophers writing here engage with the cluster of philosophical questions raised by conceptual art. They address four broad questions: What kind of art is conceptual art? What follows from the fact that conceptual art does not aim to have aesthetic value? What knowledge or understanding can we gain from conceptual art? How ought we to appreciate conceptual art? Conceptual art, broadly understood by the contributors as beginning with Marcel Duchamp's ready-mades and as continuing beyond the 1970s to include some of today's contemporary art, is grounded in the notion that the artist's "idea" is central to art, and, contrary to tradition, that the material work is by no means essential to the art as such. To use the words of the conceptual artist Sol LeWitt, "In conceptual art the idea of the concept is the most important aspect of the work . . . and the execution is a perfunctory affair." Given this so-called "dematerialization" of the art object, the emphasis on cognitive value, and the frequent appeal to philosophy by many conceptual artists, there are many questions that are raised by conceptual art that should be of interest to analytic philosophers. Why, then, has so little work been done in this area? This volume is most probably the first collection of papers by analytic philosophers tackling these concerns head-on.

Author Biography

Peter Goldie is Samuel Hall Chair and Head of Philosophy at Manchester University
Elisabeth Schellekens is Senior Lecturer of Philosophy at the University of Durham

Table of Contents

List of Illustrations	p. vii
Introduction	p. ix
Conceptual Art as a Kind of Art	p. 1
On Perceiving Conceptual Art	p. 3
The Dematerialization of the Object	p. 18
Visual Conceptual Art	p. 33
Speaking Through Silence: Conceptual Art and Conversational Implicature	p. 51
Conceptual Art and Aesthetic Value	p. 69
The Aesthetic Value of Ideas	p. 71
Kant After Le Witt: Towards an Aesthetics of Conceptual Art	p. 92
Conceptual Art, Knowledge and Understanding	p. 117
Matter and Meaning in the Work of Art: Joseph Kosuth's One and Three Chairs	p. 119
Telling Pictures: The Place of Narrative in Late Modern 'Visual Art'	p. 138
Conceptual Art and Knowledge	p. 157
Sartre, Wittgenstein, and Learning from Imagination	p. 171
Appreciating Conceptual Art	p. 195
Artistic Character, Creativity, and the Appraisal of Conceptual Art	p. 197
Creativity and Conceptual Art	p. 216
Conceptual Art Is Not What It Seems	p. 238
Emergency Conditionals: Art & Language	p. 257
Index	p. 267
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