Margaret Iversen is Professor of Art History and Theory, University of Essex. Her books include Beyond Pleasure: Freud, Lacan, Barthes (2007); Alois Riegl: Art History and Theory (1993); Mary Kelly, co-authored with Douglas Crimp and Homi Bhabha (1997). Writing Art History, co-authored with Stephen Melville, is forthcoming.
Iversen and Costello are also Co-Directors of the AHRC research project "Aesthetics after Photography."
2. Auto-Maticity: Ruscha and Performative Photography (Margaret Iversen, University of Essex).
3. Ed Ruscha, Heidegger, and Deadpan Photography (Aron Vinegar, Ohio State University).
4. Subject, Object, Mimesis: The Aesthetic World of The Bechers' Photography (Sarah E. James, University of Oxford).
5. Exit Ghost: Douglas Huebler's Face Value (Gordon Hughes, Rice University).
6. Productive Misunderstandings: Interpreting Mel Bochner's Theory of Photography (Luke Skrebowski, Middlesex University).
7. Roni Horn's Icelandic Encyclopedia (Mark Godfrey, Tate Modern).
8. Thomas Demand, Jeff Wall And Sherrie Levine: Deforming 'Pictures' (Tamara Trodd, University of Cambridge).
9. Almost Merovingian: On Jeff Wall's Relation to Nearly Everything (Wolfgang Brückle, University of Essex).
10. Morning Cleaning: Jeff Wall and The Large Glass (Christine Conley, University of Ottawa).
Index.
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