Acknowledgments | ix | ||
Introduction: Defining/Defending the "Feminist Pin-Up" | 1 | (26) | |
1 Representing "Awarishness": The Theatrical Origins of the Feminist Pin-Up Girl | 27 | (42) | |
2 New Women for the New Century: Feminism and the Pin-Up at the Fin de Siècle | 69 | (46) | |
3 The Return of Theatrical Feminism: Early-Twentieth-Century Pin-Ups on the Stage, Street, and Screen | 115 | (27) | |
4 Celebrating the "Kind of Girl Who Dominates": Film Fanzines and the Feminist Pin-Up | 142 | (43) | |
5 New Frontiers: Sex, Women, and World War II | 185 | (47) | |
6 Pop Goes the Pin-Up: New Roles and Readings in the Postwar Era | 232 | (36) | |
7 Our Bodies/Ourselves: Pin-Ups in the Wake of Women's Liberation | 268 | (43) | |
8 From Womyn to Grrrls: The Postmodern Feminist Pin-Up | 311 | (44) | |
Conclusion/Commencement | 355 | (10) | |
Notes | 365 | (38) | |
Bibliography | 403 | (34) | |
Index | 437 |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.