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Acknowledgments | v | ||||
PART ONE: INTRODUCTION | |||||
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3 | (13) | |||
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16 | (21) | |||
PART TWO: THE CONSTRUCTION OF THE CINEMA: FAIRGROUNDS, THEATRES AND SPATIAL REGULATION | |||||
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37 | (15) | |||
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52 | (15) | |||
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67 | (16) | |||
PART THREE: A PROGRESSNE CITY AND ITS CINEMAS: TECHNOLOGY, MODERNITY AND THE SPECTACLE OF ABUNDANCE | |||||
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83 | (9) | |||
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92 | (8) | |||
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100 | (14) | |||
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114 | (17) | |||
PART FOUR: CINEMA CLOSURES, POSTWAR AFFLUENCE AND THE CHANGING MEANINGS OF CINEMA AND TELEVISION | |||||
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131 | (3) | |||
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134 | (9) | |||
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143 | (11) | |||
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154 | (13) | |||
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167 | (16) | |||
PART FIVE: BEYOND CINEMA: FILM CONSUMPTION IN THE INFORMATION AGE | |||||
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183 | (2) | |||
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185 | (12) | |||
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197 | (15) | |||
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212 | (15) | |||
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227 | (14) | |||
Conclusion | 241 | (10) | |||
Appendix: Questionnaire | 251 | (3) | |||
Bibliography | 254 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.