Plagiarism And Literary Property in the Romantic Period

by Mazzeo, Tilar J.

• ISBN13: 9780812239676
• ISBN10: 0812239679
• Format: Hardcover
• Copyright: 2006-10-31
• Publisher: Univ of Pennsylvania Pr

Summary

In a series of articles published inTait's Magazinein 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? InPlagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.

Author Biography

Tilar J. Mazzeo teaches English at Colby College.

Table of Contents

List of Abbreviations	vii
Preface	ix
Romantic Plagiarism and the Critical Inheritance	1	(16)
Coleridge, Plagiarism, and Narrative Mastery	17	(32)
Property and the Margins of Literary Print Culture	49	(37)
``The Slip-Shod Muse'': Byron, Originality, and Aesthetic Plagiarism	86	(36)
Monstrosities Strung into an Epic: Travel Writing and the Defense of ``Modern'' Poetry	122	(22)
Poaching on the Literary Estate: Class, Improvement, and Enclosure	144	(38)
Afterword	182	(7)
Notes	189	(22)
Bibliography	211	(16)
Index	227	(8)
Acknowledgments	235