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Acknowledgments | p. vi |
An Introduction to the Music-Movement Link | p. 1 |
You Can't Scare Me, I'm Sticking to the Union | p. 3 |
The Meanings of Music | p. 37 |
Aretha Franklin Sings to Charlie Manson | p. 39 |
Context | p. 67 |
The Audience and Reception | p. 91 |
The Meanings of Music: Some Reconsiderations and Implications | p. 103 |
The Functions of Musicking for Social Movements | p. 121 |
Serving the Committed | p. 123 |
Education | p. 143 |
Conversion and Recruitment | p. 157 |
Mobilization | p. 173 |
How Musicking Harms Movements | p. 181 |
What Makes a Difference? | p. 197 |
What is to be Sung (or Played)? | p. 211 |
Notes | p. 257 |
References | p. 291 |
Index | p. 311 |
About the Authors | p. 323 |
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