Poetry into Song Performance and Analysis of Lieder

by Stein, Deborah; Spillman, Robert

• ISBN13: 9780195093285
• ISBN10: 0195093283
• Format: Hardcover
• Copyright: 1996-01-04
• Publisher: Oxford University Press

Summary

Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss-- Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directing the book towards students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, analyzing, and performing again, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the volume features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end-of-chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song .

Author Biography

Deborah Stein is Associate Professor of Music at the New England Conservatory of Music.

Table of Contents

Foreword
Introduction: Preliminary Clarifications
The Language of Poetry
Introduction to German Romanticism	p. 3
Devices and Delights in Poetry	p. 20
The Language of the Performer
Texture	p. 59
Temporality	p. 69
Elements of Interpretation	p. 81
The Language of Music
Harmony and Tonality	p. 105
Melody and Motive	p. 141
Rhythm and Meter	p. 167
Form in the German Lied	p. 191
Different Settings of a Single Text: Comparison of Compositional Style	p. 211
Postlude	p. 233
Notes	p. 235
Appendix I: Text Translations	p. 261
Appendix II: Glossary: Terminology for Poetry, Performance, Analysis	p. 323
Appendix III: Selected Bibliography	p. 337
Appendix IV: Repertory by Chapter	p. 357
Appendix V: Scores Not Readily Accessible	p. 363
Index	p. 409
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