Acknowledgments | |
Introduction | |
Postmodernism / Fin de Siecle: Defining "Difference" in Late Twentieth-Century Poetics | p. 3 |
Tolerance and Taboo: Modernist Primitivisms and Postmodernist Pieties | p. 34 |
"Barbed-Wire Entanglements": The "New American Poetry," 1930-32 | p. 51 |
"A Step Away from Them": Poetry 1956 | p. 83 |
Lucent and Inescapable Rhythms: Metrical "Choice" and Historical Formation | p. 116 |
After Free Verse: The New Nonlinear Poetries | p. 141 |
What We Don't Talk about When We Talk about Poetry: Some Aporias of Literary Journalism | p. 168 |
English as a "Second" Language: Mina Loy's "Anglo-Mongrels and the Rose" | p. 193 |
Poetry in Time of War: The Duncan-Levertov Controversy | p. 208 |
How Russian Is It: Lyn Hejinian's Oxota | p. 222 |
What Really Happened: Roland Barthes's Winter Garden/Christian Boltanski's Archives of the Dead | p. 243 |
"Inner Tension / In Attention": Steve McCaffery's Book Art | p. 264 |
The Music of Verbal Space: John Cage's "What You Say ..." | p. 290 |
The Morphology of the Amorphous: Bill Viola's Videoscapes | p. 309 |
Notes | p. 323 |
Illustration Sources | p. 357 |
Poetry Sources | p. 363 |
Index | p. 365 |
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