Introduction | p. xvii |
Twilight | p. 1 |
Twice Removed | p. 1 |
Months Later | p. 2 |
Untitled | p. 3 |
Why We Fear the Amish | p. 3 |
Midnight at the Third Street Sculpture Garden | p. 4 |
Sisters in Perpetual Motion | p. 5 |
Rustic Portrait | p. 6 |
Interlude: Still Still | p. 7 |
Whether or Not There Are Apples | p. 8 |
Elegy for Lessons | p. 9 |
Dark Yellow Poem | p. 11 |
The Chair | p. 12 |
Nights at The Cedar | p. 14 |
All I Can Say | p. 14 |
Burning the Fields | p. 15 |
The Lacemaker's Condenser | p. 17 |
The Suicide of Clover Adams: 1885 | p. 18 |
The Vietnam Birthday Lottery, 1970 | p. 19 |
Piano Tuning | p. 21 |
X-ray Vision | p. 22 |
Smoking | p. 22 |
The Cockroaches of Tuol Sleng Museum | p. 23 |
Gloomy Sunday | p. 25 |
Haldol | p. 26 |
Crack | p. 26 |
Genius | p. 27 |
The Country | p. 28 |
Absence | p. 29 |
Velocity | p. 29 |
Today | p. 31 |
A Place Made of Starlight | p. 31 |
For Jude the Obscure | p. 33 |
Brothers' Keepers | p. 33 |
To My Hypocrite Reader | p. 34 |
God Comes in a Dream to Cure a Suppliant | p. 35 |
Gratitude | p. 36 |
Fashion Shoot, Frijoles Canyon | p. 37 |
Memorial Day | p. 38 |
Moths | p. 39 |
Red Lead, 1978 | p. 40 |
After the Sea Parts, My Daughter Walks Among Gravestones | p. 41 |
Like a Simile | p. 42 |
Joyland | p. 42 |
Heat | p. 44 |
Morphine | p. 44 |
First Solo Flight | p. 45 |
Clown Prince | p. 46 |
The Day After | p. 47 |
My Mother's See-Through Blouse | p. 48 |
Brown's Farm | p. 49 |
Night-Light | p. 51 |
The Bindi Mirror | p. 52 |
Ululu | p. 53 |
The Stilt Fisherman | p. 53 |
Tagging the Stealer | p. 54 |
Biophilia | p. 55 |
God | p. 57 |
Clitoris | p. 58 |
Dead Baby Speaks | p. 58 |
Two of the Lost Five Foolish Virgins | p. 63 |
The Rainbow Bridge in the Painting of the Sung Dynasty | p. 65 |
Guillotine Windows | p. 66 |
Unexpected Holiday | p. 68 |
(Often, In Dreams, He Moved) | p. 69 |
(That Day He Spent Hours) | p. 70 |
Mystery, So Long | p. 70 |
At the Gym | p. 71 |
Fish-R-Us | p. 72 |
From "An Island Sheaf": | |
Sea Grape Valentine | p. 74 |
Watermelon Soda | p. 75 |
On the Chinese Abduction of Tibet's Child Panchen Lama | p. 76 |
A Genesis Text for Larry Levis, Who Died Alone | p. 78 |
The Caste Wife Speaks to the Enigmatic Parabolas | p. 79 |
Elegy for My Brother | p. 80 |
The Death of God | p. 81 |
Nature | p. 82 |
Different Hours | p. 83 |
A Postmortem Guide | p. 84 |
Inspiration | p. 85 |
Vigil | p. 86 |
Narcissus | p. 87 |
Overhead Fan | p. 87 |
Exam | p. 88 |
Outer Space | p. 90 |
Passing Things | p. 92 |
The Instruction Manual | p. 93 |
The White Dress | p. 94 |
She | p. 94 |
Walt, I Salute You! | p. 95 |
Madame L. Describes the Seige of Paris | p. 96 |
Split the Lark | p. 100 |
One Kiss | p. 105 |
When the Enemy Is Illiterate | p. 105 |
Invaded by Souls | p. 106 |
Laughter and Stars | p. 108 |
Rooms and Their Airs (Camere et Aer Ipsius) | p. 109 |
White Asparagus | p. 110 |
What We're Used To | p. 112 |
Imps | p. 113 |
Ancestored-Back Is the Overpresiding Spirit of This Poem | p. 115 |
Refugees | p. 117 |
Twentieth-Century Children (s): Blood-Kissing | p. 118 |
Torture Boy's Watch, Burn Boy's Boat of Souls | p. 118 |
Retro Lullaby | p. 119 |
Law and Sensibility | p. 120 |
The Bat | p. 121 |
Lao Tzu Rebuked | p. 122 |
The Summer I Spent Screwing in the Back Seats of Station Wagons | p. 122 |
Rest | p. 123 |
Lesson | p. 124 |
Artist at Work | p. 124 |
Heart Attack | p. 125 |
Approximation 7 | p. 126 |
Wrong Poem | p. 127 |
Frankfort Laundromat | p. 128 |
Your Visit to Drettinghob | p. 129 |
Parkersburg | p. 130 |
Zeno's Lemur | p. 131 |
Desperados | p. 131 |
Her Body | p. 132 |
The Eternal Light of Talk | p. 135 |
The Path to the Milky Way Leads Through Los Angeles | p. 136 |
Song from the House of Death, or How to Make It Through to the End of a Relationship | p. 137 |
This Is My Heart | p. 139 |
The End | p. 140 |
Our Other Sister | p. 141 |
Sex and Poetry | p. 142 |
Rowing | p. 143 |
A Shave by the Ganges | p. 143 |
My Double Non-Conversion | p. 144 |
Swifts at Evening | p. 145 |
The Party | p. 146 |
Miscarriage and Echo | p. 148 |
Birth of a Saint | p. 149 |
Neither Here nor There | p. 150 |
The Strong Yet Hollow Life Force of Hot Tub Jesus | p. 152 |
Evel Knievel: The Fountain at Caesar's Palace (151 feet 6 inches) Las Vegas, Nevada, September 4th, 1968 | p. 153 |
Blanket on Grass | p. 155 |
Lullaby Rub | p. 157 |
From "Thicket Group": A Power | p. 158 |
Empty Spires | p. 159 |
A Window | p. 159 |
The Thicket | p. 160 |
Ethics of Twilight | p. 161 |
Colette | p. 161 |
Days of 1968 | p. 163 |
Ocean of Grass | p. 163 |
Windchime | p. 164 |
Lawrence | p. 164 |
Benevolence | p. 166 |
How It Adds Up | p. 166 |
Teaching My Son to Drive | p. 167 |
Integrals | p. 168 |
The Third Party | p. 169 |
Such Beauty | p. 170 |
Model Father | p. 172 |
Ooly Pop a Cow | p. 172 |
Crossing New River | p. 173 |
Home Fires | p. 175 |
For Love | p. 176 |
For Dora Maar | p. 176 |
The Rapture | p. 178 |
Do Not Duplicate This Key | p. 179 |
CXXXII: The Quandary | p. 182 |
Terzanelle of Kosovo Fields | p. 182 |
No Turn on Red | p. 183 |
Dialect | p. 185 |
Goya's Saint Peter Repentant | p. 187 |
You Lucky People | p. 187 |
Unholy Sonnet | p. 188 |
The Storm | p. 189 |
The Fear | p. 189 |
The Freight | p. 190 |
Father's Day | p. 191 |
Sacrament for My Penis | p. 192 |
Elegy for a Bad Example | p. 192 |
Nihilist Time | p. 193 |
Raccoon Time | p. 193 |
On the Day After Allen Ginsberg's Death a Woman Thinks of Me | p. 195 |
Love Poem for an Enemy | p. 196 |
The Turn | p. 197 |
Black Swan | p. 198 |
Elegy | p. 199 |
Two Boys | p. 200 |
Outside The Blue Nile | p. 202 |
Queen Marie-Theresa and Nabo | p. 204 |
Forgive and Live | p. 206 |
Inviting the Moose: A Vision | p. 208 |
Conspiracy Theory | p. 209 |
November | p. 211 |
Western Wars Mitigated by the Confucian Analects | p. 212 |
Many Mansions | p. 213 |
Georgia O'Keefe: American Icon | p. 214 |
Emptying the Mind | p. 214 |
Little Black Dino | p. 215 |
Jack Benny | p. 217 |
Nowhere to Mosh | p. 217 |
Love Potion No. 9 | p. 218 |
One of the Grim Reaper's Disguises | p. 219 |
Indian Sign Language | p. 219 |
Dead Skoonk | p. 221 |
Old Friend in the Dark | p. 221 |
I'm Still Alive | p. 222 |
Failed Teachers | p. 224 |
Sisters | p. 224 |
A Tiny Man of Print | p. 225 |
Capitalist Poem #38 | p. 226 |
Capitalist Poem #36 | p. 227 |
The Manatee | p. 227 |
The Miami Beach Holocaust Memorial | p. 227 |
Ghazal of the Better-Unbegun | p. 230 |
Past All Understanding | p. 231 |
The Gulf Between the Given and the Gift | p. 232 |
Qua Qua Qua | p. 232 |
We Take Our Children to Ireland | p. 233 |
Marriage Dissolving in the Upstairs Room | p. 234 |
These Same, These Many Birds | p. 235 |
Because | p. 236 |
Three Weeds | p. 237 |
Words | p. 238 |
Doppelganger | p. 238 |
Pussy Willow (An Apology) | p. 239 |
Girl Tearing Up Her Face | p. 241 |
First-Generation Angels | p. 243 |
from "Dahmer" | p. 244 |
The Young Asian Women | p. 246 |
Immigration Angel | p. 247 |
Narcissus | p. 248 |
Taking the Children Away | p. 249 |
On Sitting | p. 250 |
Bread, Meat, Greens, and Soap | p. 251 |
Mona's Taco | p. 252 |
Bill's Beans | p. 253 |
Knitting, Crocheting, Sewing... | p. 253 |
Ongoing | p. 255 |
Deer Traffic | p. 255 |
Electric Church | p. 257 |
Fear in Style | p. 258 |
St. Ives, Winter Night | p. 259 |
Monkey Mind | p. 260 |
Happy As I Am | p. 261 |
The Old Religion | p. 264 |
The Martyrdom of St. Sebastian | p. 265 |
Alchemy | p. 266 |
Samurai Song | p. 268 |
The Green Piano | p. 269 |
The Haunted Ruin | p. 270 |
To Television | p. 271 |
Group Portrait with Ukuleles | p. 273 |
Fitful Angel | p. 274 |
Table Prayer | p. 275 |
The Bounty | p. 277 |
Tilted Man, Tilted Woman | p. 278 |
Damsels, I | p. 279 |
Intact Woman | p. 280 |
From the Life of Don Margarito | p. 281 |
Writing from Memory | p. 282 |
Some Extensions on the Sovereignty of Science | p. 283 |
Versace | p. 285 |
Question for the Magic Hour | p. 285 |
Jung | p. 286 |
Murder in the Good Land | p. 288 |
Reiteration | p. 289 |
Opus from Space | p. 290 |
Come, Drink Here | p. 290 |
Transplanting | p. 292 |
Lover Release Agreement | p. 296 |
Resurfaced | p. 296 |
Quest of the Prell | p. 298 |
Brief History of a Sentence | p. 300 |
Rice County Soliloquy | p. 301 |
"Why Talk When You Can Paint?" | p. 302 |
Eve to Adam, in Retrospect | p. 304 |
Seven Postcards from Dover | p. 304 |
No Comparison | p. 306 |
10 April | p. 306 |
Among the Musk Ox People | p. 307 |
My Other Self | p. 308 |
Against Self-Torment | p. 310 |
Complete Semen Study | p. 310 |
In the Sink | p. 312 |
On the Day of Nixon's Funeral | p. 312 |
My Mother's Funeral | p. 314 |
Izzy | p. 314 |
Delirious | p. 315 |
Why I Won't Pierce My Ears | p. 316 |
I am peeling four pink grapefruit | p. 317 |
Wonders of the Invisible World | p. 318 |
Story of a Marriage | p. 319 |
Romeo and Juliet | p. 319 |
The Book of Blessings | p. 320 |
Illuminated Manuscript | p. 321 |
The Talking Cure | p. 321 |
The Displaced | p. 324 |
The Extra | p. 325 |
In Medias Res | p. 326 |
The Holy Worm of Praise | p. 327 |
The Zen of Crime | p. 328 |
Whining Prairie | p. 329 |
Miss Molly Rockin' in the House of Blue Light | p. 330 |
Woman Circling Lake | p. 331 |
Lateral Time | p. 331 |
The Freezing Point of the Universe | p. 332 |
Half the Music | p. 333 |
Queen of the Night | p. 335 |
Late Psalm | p. 336 |
The Yawner | p. 338 |
I Dream About My Dead | p. 341 |
Newsreel | p. 343 |
The Grid | p. 345 |
Speaking Louder | p. 346 |
Hairspray | p. 347 |
The Family Man | p. 348 |
Raisin Factory | p. 350 |
Devising Your Own Time | p. 351 |
Teaching English from an Old Composition Book | p. 352 |
Late Confession | p. 353 |
Practicing T'ai Chi Ch'uan | p. 354 |
Posthuman | p. 355 |
Outside St.-Remy-de-Provence | p. 357 |
Searches | p. 357 |
Merlin | p. 358 |
Los Angeles, 1954 | p. 359 |
I Know | p. 361 |
Beanstalk | p. 361 |
Because I Wanted to Write a Happy Poem, I Thought of Harry Caray's Dying | p. 363 |
Confessional | p. 364 |
The String Diamond | p. 366 |
A Knock on the Door | p. 370 |
Never Again the Same | p. 370 |
The New Ergonomics | p. 371 |
How the Pope Is Chosen | p. 372 |
Exilium | p. 374 |
Incident | p. 375 |
Southbound Pullman, 1945 | p. 375 |
The Alley Behind Ocean Drive | p. 376 |
Road Tar | p. 377 |
Erotic Energy | p. 378 |
A Last Look Back | p. 378 |
To the Reader: If You Asked Me | p. 379 |
To the Reader: Polaroids | p. 379 |
Decade | p. 380 |
Calypso, Twilight | p. 381 |
Neap Tide | p. 383 |
Estrogen | p. 385 |
Iron Brigade Highway | p. 385 |
Night of the Moon | p. 387 |
Conjuries in Amber | p. 388 |
"Did That Really Happen?" | p. 389 |
To Prove That We Existed Before You Were Born | p. 390 |
Tone of Voice | p. 391 |
Funktionslust | p. 392 |
Biblical Also-Rans | p. 393 |
One of the Wives of God | p. 394 |
Elegy for Matthews | p. 396 |
The Super | p. 397 |
Into the Mouth of the Rat | p. 400 |
One Enchanted Evening | p. 405 |
Catholic | p. 406 |
Prayer That the Rod of the Prede Stined Spouse May Blossom | p. 407 |
Apology for and Further Explanation of an Attempt to Divert Accusations of Equivocation | p. 408 |
Between Zero and Ten | p. 409 |
Yad | p. 410 |
The Drowning and the Drowned | p. 411 |
Conundrum | p. 412 |
Excavation Photo | p. 413 |
Stalin's Library Card | p. 414 |
The Room | p. 418 |
The Conjure Woman | p. 420 |
Note from the Stop-Gap Motor Inn | p. 422 |
Floating Lady Retablo | p. 423 |
Floating Lady Retablo | p. 423 |
Handfishing Retablo | p. 424 |
Handfishing Retablo | p. 424 |
Rosesucker Retablo | p. 424 |
Rosesucker Retablo | p. 425 |
Today's Visibility | p. 425 |
Howl Upone Eskaping, I Learne Mey Vehikle Is Not Sea-Worthie and Upone Mey Tragik Recapture and Longe Internmynt During Whyche I Wrighte These Words Thorough a Secret System Infolfing Mey Owne Blood | p. 426 |
Lives of the Painters | p. 427 |
Sunflower | p. 428 |
Side Effects | p. 429 |
Warhol Attends Roy Cohn's Final Birthday Party at the Palladium, June 1985 | p. 431 |
Negative | p. 432 |
Campbell's Black Bean Soup | p. 433 |
Acknowledgments | p. 435 |
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