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Introduction | |
The convergence process in heritage tourism | |
Abraham Lincoln as authentic reproduction: a critique of postmodernism | |
Cultural politics or critical public history?: battling on the Little Bighorn | |
Local uniqueness in the global village: heritage tourism in Singapore | |
Contesting places of memory: the case of Auschwitz | |
Coconstructing heritage at the Gettysburg storyscape | |
Authenticity and commoditization in tourism | |
Historical preservation and identity: the Alamo and the production of a consumer landscape | |
Authenticity on the ground: engaging the past in a California ghost town | |
Guarding authenticity at literary tourism sites | |
Transforming tourism: black empowerment, heritage and identity beyond apartheid | |
Developing a framework for indicators of authenticity: the place and space of cultural and heritage tourism | |
Culture and the state: manufacturing traditions for tourism | |
An unwanted past: contemporary tourism and the heritage of communism in Romania | |
Gazing on communism: heritage tourism and post-communist identities in Germany | |
Staged authenticity: arrangements of social space in tourist settings | |
Affirming authenticity: consuming cultural heritage | |
Museums and the construction of national identity: a review | |
Tourism, performance and social exclusion in 'Olde York' | |
Historic theme parks: an Australian experience in authenticity | |
Contested religious heritage: differing views of Mormon heritage | |
Culture, identity and tourism representation: marketing Cymru or Wales? | |
Aboriginal heritage art and moral rights | |
Maori cultural performances and tourism | |
Remaking local heritage for tourism | |
Authenticating ethnic tourism: Li dancers' perspectives | |
Rethinking authenticity in tourism experience | |
Contested heritage at the Cape Town Waterfront | |
Name index | |
Table of Contents provided by Publisher. All Rights Reserved. |
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