Pop Art : Contemporary Perspectives

by Preface by John Wilmerding; Introduction by Hal Foster; Essays by Johanna Burton

• ISBN13: 9780300122121
• ISBN10: 0300122128
• Format: Trade Book
• Copyright: 2007-04-28
• Publisher: Princeton University Art Museum

Summary

Announcing the new Princeton University Art Museum Monograph Series: Princeton University Art Museum Monographs is a new series of in-depth explorations of the museum's rich collections. Beautifully designed and produced, these books by leading and emerging scholars offer new insights and perspectives on a single work or group of works from Princeton's distinguished permanent collection. Roy Lichtenstein, Andy Warhol, Claes Oldenburg, Tom Wesselmann, Robert Indiana, and Alex Katz have all come to define the Pop art movement that emerged in America in the 1960s. This handsomely illustrated book focuses on 40 understudied and rarely seen late paintings, works on paper, and sculptures by these influential artists in the collection of the Princeton University Art Museum. Pop Artoffers fresh insights into the ways in which artists radically transformed the mediums of painting and sculpture. For example, Lichtenstein is repositioned as a classical "studio artist"; Wesselmann is shown to be playfully preoccupied with academic genres; and Indiana is interpreted less as a Pop artist than as a folk artist in a mass-cultural context. This important book also features an engaging introduction by Hal Foster that places these new interpretations in the context of the history of Pop art and its critical literature.

Author Biography

John Wilmerding is Christopher Binyon Sarofim ’86 Professor of American Art in the Department of Art and Archaeology, Princeton University. Hal Foster is Townsend Martin ‘17 Professor of Art and Archaeology and chairman of the department at Princeton. Johanna Burton, Kevin Hatch, Suzanne Hudson, Alex Kitnick, Julia Robinson, and Diana Tuite have recently received their Ph.D. or are current doctoral candidates in the Department of Art and Archaeology at Princeton University.

Table of Contents

Robert Indiana : "a people's painter"	p. 14
Grounding the figure, reconfiguring the subject : the cutouts of Alex Katz	p. 36
Roy Lichtenstein : wit, invention, and the afterlife of pop	p. 54
Claes Oldenburg : monumental contingency	p. 74
Andy Warhol : surface tension	p. 96
"Like a Rousseau among the cubists" : Tom Wesselmann's un-pop procedures	p. 112
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