What is included with this book?
Introduction | p. v |
General Tools | |
Appreciating the Mix: Teaching Music Listening Skills through Sound-Mixing Techniques | p. 3 |
Pod-Logic: A Guide to Getting the Most out of Your iPod in the Music Classroom | p. 19 |
Global Connections via YouTube: Internet Video as a Teaching and Learning Tool | p. 29 |
Teaching Musicianship and Music Theory | |
Popular Music in the College Music Theory Class: Rhythm and Meter | p. 47 |
Selected Resources for Popular Music Drum Patterns and Rhythm Software | p. 63 |
Selected Examples of Rhythms and Meters in Popular Music | p. 64 |
Teaching Traditional Music Theory with Popular Songs: Pitch Structures | p. 73 |
Appendix: Popular-Music Examples for Undergraduate Theory Topics | p. 90 |
Using Pop-Culture Tools to Reinforce Learning of Basic Music Theory as Transformations | p. 95 |
On the Integration of Aural Skills and Formal Analysis through Popular Music | p. 109 |
Musical Representation in the Video Games Guitar Hero and Rock Band | p. 133 |
DDR at the Crossroads: A Report on a Pilot Study to Integrate Music Video-Game Technology into the Aural-Skills Classroom | p. 149 |
Turntablism: A Vehicle for Connecting Community and School Music Making and Learning | p. 173 |
Teaching Music Analysis and Criticism | |
Using American Idol to Introduce Music Criticism | p. 187 |
An Analytic Model for Examining Cover Songs and Their Sources | p. 203 |
Cotextuality in Music Video: Covering and Sampling in the Cover Art Video of "Umbrella" | p. 233 |
Vocal Practices and Constructions of Identity in Rap: A Case Study of Young Jeezy's "Soul Survivor" | p. 265 |
Crunkology: Teaching the Southern Hip-Hop Aesthetic | p. 281 |
Mashup Poetics as Pedagogical Practice | p. 307 |
Index | p. 317 |
About the Authors | p. 341 |
Table of Contents provided by Ingram. All Rights Reserved. |
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