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9780465026098

Popular Culture and High Culture

by
  • ISBN13:

    9780465026098

  • ISBN10:

    0465026095

  • Edition: 2nd
  • Format: Paperback
  • Copyright: 1999-09-24
  • Publisher: INGRAM

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Summary

IsNYPD Bluea less valid form of artistic expression than a Shakespearean drama? Who is to judge and by what standards?In this new edition of Herbert Gans's brilliantly conceived and clearly argued landmark work, he builds on his critique of the universality of high cultural standards. While conceding that popular and high culture have converged to some extent over the twenty-five years since he wrote the book, Gans holds that the choices of typical Ivy League graduates, not to mention Ph.D.'s in literature, are still very different from those of high school graduates, as are the movie houses, television channels, museums, and other cultural institutions they frequent.This new edition benefits greatly from Gans's discussion of the "politicization" of culture over the last quarter-century.Popular Culture and High Cultureis a must read for anyone interested in the vicissitudes of taste in American society.

Author Biography

Herbert J. Gans, author of Levittowners and The Urban Villagers, is professor of sociology at Columbia University and the former president of the American Sociological Association.

Table of Contents

Preface to the Revised and Updated Edition vii
Preface xi
New Introduction
The Popular Culture--High Culture Distinction: Still Relevant? 1(210)
Some Definitions
5(3)
The Distinction Updated
8(5)
Of Supply and Demand Sides
13(4)
The Demand Side
17(5)
New Media
22(5)
The Critique of Mass Culture
27(62)
Popular Culture's Defects As a Commercial Enterprise
30(8)
Popular Culture's Danger to High Culture
38(3)
Popular Culture's Impact on Its Audience
41(14)
Popular Culture's Harmfulness to Society
55(9)
The Sources and Biases of the Mass Culture Critique
64(13)
Postscript
77(12)
A Comparative Analysis of High and Popular Culture
89(72)
Taste Cultures and Publics
94(6)
The Five Taste Publics and Cultures
100(20)
``Youth,'' Black, and Ethnic Cultures
120(10)
The Social Structure of Taste Publics and Cultures
130(16)
Postscript
146(15)
The Evaluation of Taste Cultures and Publics
161(50)
Two Value Judgments about Taste Cultures and Publics
167(4)
Cultural Mobility
171(4)
Cultural Pluralism and Subcultural Programming
175(3)
The Pros and Cons of Subcultural Programming
178(12)
Implementing Subcultural Programming
190(10)
The Outlook for More Cultural Pluralism
200(4)
Postscript
204(7)
Notes 211(24)
Index 235

Supplemental Materials

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