List of contributors | |
Acknowledgements | |
Introduction: Popular music studies: meaning, power and value | p. 1 |
Musical meaning and history | p. 11 |
Music, masculinity and migrancy under early apartheid: gender and popular song in South Africa, c. 1948-1960 | p. 16 |
Analysing popular songs | p. 33 |
Cover versions and the sound of identity in motion | p. 51 |
(In search of) musical meaning: genres, categories and crossover | p. 65 |
Audiences, consumption and everyday life | p. 85 |
Raving, not drowning: authenticity, pleasure and politics in the electronic dance music scene | p. 90 |
The curse of fandom: insiders, outsiders and ethnography | p. 103 |
Popular music audiences and everyday life | p. 117 |
Ubiquitous listening | p. 131 |
Production, institutions and creativity | p. 143 |
Mainstreaming, from hegemonic centre to global networks | p. 149 |
Value and velocity: the 12-inch single as medium and artifact | p. 164 |
Creativity and musical experience | p. 178 |
The politics of calypso in a world of music industries | p. 191 |
Place, space and power | p. 205 |
Locating salsa | p. 210 |
Blacking Japanese: experiencing otherness from afar | p. 223 |
India song: popular music genres since economic liberalization | p. 238 |
The 'pop-rockization' of popular music | p. 251 |
Index | p. 265 |
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