Postnational Perspectives in Music Scholarship | |
Introduction: The Postnational Turn in Music Scholarship and Music Marketing | p. 3 |
Nationalist and Postnationalist Perspectives in American Musicology | p. 23 |
Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967 | p. 45 |
A Transnational Caribbean | |
The Miamization of Latin-American Pop Music | p. 65 |
Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry | p. 81 |
Across the U.S.-Mexico Border | |
Ideology, Flux, and Identity in Tijuana's Nor-tec Music | p. 99 |
Quest for the Local: Building Musical Ties between Mexico and the United States | p. 119 |
Assimilation, Reclamation, and Rejection of the Nation-State Chicano Musicians | p. 137 |
RockIn' la Frontera: Mexican Rock, Globalization, and National Identity | p. 151 |
South-American Connections | |
Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the Twentieth Century | p. 173 |
The "Afro-Colombianization" of Hip-Hop and Discourses on Authenticity | p. 185 |
Transnational Soundscapes:Ambient Music and Bossatronica | p. 209 |
Selected Discography | p. 219 |
Selected Bibliography | p. 221 |
Index | p. 229 |
Notes on Contributors | p. 237 |
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