Jos Arrillaga is an experienced author, now an Emeritus Professor from the Department of Electrical and Computer Engineering at the University of Canterbury, New Zealand. He has written 10 books, including five for Wiley on the topic of electrical power systems, such as Power System Harmonics, Second Edition, Computer Modelling of Electrical Power Systems, Second Edition and High Voltage Direct Current Transmission. He has also written over 350 journal and conference papers. During the course of his career he has supervised around 50 PhD and 60 MSc/ME theses, most of them on the subject of high voltage direct current transmission, and he has also participated and convened several working groups. In 1997 he was awarded the Uno Lamm medal for outstanding contributions to HVDC transmission and he was in the New Years Honours list as a member of the New Zealand order of Merit.
Neville Watson is a professor with the Department of Electrical and Computer Engineering at the University of Canterbury. His research interests include power systems, power flow and harmonics. He is a senior member of IEEE and member of Institution of Professional Engineers New Zealand.
Preface | xi | ||||
1 Subject Definition and Objectives | 1 | (16) | |||
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1 | (1) | |||
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1 | (4) | |||
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5 | (7) | |||
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7 | (1) | |||
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8 | (3) | |||
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11 | (1) | |||
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12 | (3) | |||
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15 | (2) | |||
2 Harmonic Analysis | 17 | (44) | |||
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17 | (1) | |||
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18 | (2) | |||
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20 | (3) | |||
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23 | (2) | |||
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25 | (2) | |||
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27 | (2) | |||
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29 | (1) | |||
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30 | (3) | |||
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33 | (2) | |||
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35 | (3) | |||
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38 | (9) | |||
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40 | (1) | |||
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41 | (1) | |||
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41 | (3) | |||
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44 | (1) | |||
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45 | (2) | |||
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47 | (5) | |||
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47 | (1) | |||
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48 | (1) | |||
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49 | (1) | |||
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50 | (2) | |||
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52 | (6) | |||
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53 | (3) | |||
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56 | (2) | |||
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58 | (1) | |||
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58 | (3) | |||
3 Harmonic Sources | 61 | (82) | |||
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61 | (1) | |||
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62 | (5) | |||
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62 | (1) | |||
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62 | (1) | |||
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63 | (1) | |||
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64 | (1) | |||
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65 | (2) | |||
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67 | (7) | |||
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67 | (1) | |||
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68 | (1) | |||
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69 | (1) | |||
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70 | (2) | |||
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72 | (1) | |||
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73 | (1) | |||
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74 | (5) | |||
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74 | (2) | |||
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76 | (3) | |||
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79 | (6) | |||
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79 | (3) | |||
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82 | (3) | |||
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85 | (31) | |||
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88 | (3) | |||
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91 | (1) | |||
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91 | (1) | |||
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92 | (1) | |||
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93 | (4) | |||
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97 | (2) | |||
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99 | (5) | |||
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104 | (1) | |||
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104 | (8) | |||
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112 | (4) | |||
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116 | (3) | |||
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117 | (2) | |||
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119 | (7) | |||
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126 | (4) | |||
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126 | (3) | |||
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129 | (1) | |||
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130 | (7) | |||
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133 | (2) | |||
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135 | (2) | |||
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137 | (3) | |||
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137 | (1) | |||
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138 | (2) | |||
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140 | (1) | |||
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141 | (2) | |||
4 Effects of Harmonic Distortion | 143 | (48) | |||
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143 | (1) | |||
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143 | (6) | |||
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143 | (1) | |||
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144 | (1) | |||
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145 | (2) | |||
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147 | (2) | |||
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149 | (1) | |||
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149 | (4) | |||
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149 | (2) | |||
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151 | (1) | |||
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152 | (1) | |||
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153 | (3) | |||
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153 | (1) | |||
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153 | (2) | |||
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155 | (1) | |||
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156 | (13) | |||
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156 | (5) | |||
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161 | (5) | |||
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166 | (2) | |||
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168 | (1) | |||
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169 | (1) | |||
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170 | (1) | |||
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170 | (1) | |||
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171 | (1) | |||
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171 | (1) | |||
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172 | (15) | |||
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173 | (1) | |||
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173 | (1) | |||
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174 | (3) | |||
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177 | (7) | |||
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184 | (1) | |||
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185 | (1) | |||
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186 | (1) | |||
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187 | (1) | |||
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187 | (1) | |||
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187 | (4) | |||
5 Harmonic Monitoring | 191 | (28) | |||
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191 | (1) | |||
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191 | (4) | |||
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191 | (2) | |||
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193 | (1) | |||
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194 | (1) | |||
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195 | (1) | |||
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195 | (5) | |||
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195 | (2) | |||
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197 | (3) | |||
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200 | (6) | |||
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202 | (3) | |||
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205 | (1) | |||
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206 | (1) | |||
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207 | (3) | |||
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210 | (7) | |||
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210 | (5) | |||
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215 | (2) | |||
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217 | (1) | |||
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217 | (2) | |||
6 Harmonic Elimination | 219 | (42) | |||
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219 | (1) | |||
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219 | (2) | |||
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221 | (2) | |||
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221 | (1) | |||
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222 | (1) | |||
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223 | (5) | |||
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223 | (1) | |||
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224 | (1) | |||
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225 | (3) | |||
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228 | (7) | |||
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231 | (2) | |||
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233 | (1) | |||
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234 | (1) | |||
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235 | (2) | |||
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236 | (1) | |||
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236 | (1) | |||
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237 | (5) | |||
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237 | (5) | |||
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242 | (1) | |||
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242 | (3) | |||
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245 | (1) | |||
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246 | (1) | |||
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246 | (1) | |||
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247 | (1) | |||
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247 | (6) | |||
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248 | (2) | |||
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250 | (3) | |||
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253 | (2) | |||
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255 | (4) | |||
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256 | (1) | |||
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257 | (2) | |||
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259 | (1) | |||
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259 | (2) | |||
7 Computation of Harmonic Flows | 261 | (90) | |||
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261 | (1) | |||
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261 | (5) | |||
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264 | (1) | |||
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264 | (1) | |||
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265 | (1) | |||
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266 | (3) | |||
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266 | (2) | |||
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268 | (1) | |||
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268 | (1) | |||
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269 | (17) | |||
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273 | (3) | |||
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276 | (1) | |||
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277 | (5) | |||
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282 | (4) | |||
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286 | (4) | |||
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290 | (5) | |||
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295 | (1) | |||
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295 | (2) | |||
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297 | (1) | |||
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298 | (1) | |||
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299 | (5) | |||
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302 | (1) | |||
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303 | (1) | |||
|
304 | (1) | |||
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304 | (7) | |||
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305 | (1) | |||
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305 | (2) | |||
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307 | (4) | |||
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311 | (33) | |||
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311 | (7) | |||
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318 | (8) | |||
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326 | (8) | |||
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334 | (1) | |||
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335 | (9) | |||
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344 | (3) | |||
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346 | (1) | |||
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347 | (1) | |||
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348 | (3) | |||
8 Advanced Harmonic Assessment | 351 | (40) | |||
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351 | (1) | |||
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351 | (2) | |||
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353 | (6) | |||
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353 | (1) | |||
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354 | (1) | |||
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354 | (2) | |||
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356 | (3) | |||
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359 | (6) | |||
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360 | (5) | |||
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365 | (4) | |||
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368 | (1) | |||
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369 | (18) | |||
|
370 | (1) | |||
|
370 | (1) | |||
|
370 | (1) | |||
|
371 | (16) | |||
|
387 | (1) | |||
|
388 | (3) | |||
Index | 391 |
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