Foreword | p. 7 |
President's Foreword | p. 9 |
Realists and Romantics, Storytellers and Symbolists: Changing Attitudes towards Victorian Painting in the 20th Century | p. 10 |
Dante Gabriel Rossetti | p. 26 |
John Everett Millais | p. 44 |
'Too beautiful not to be true': Edward Burne-Jones | p. 62 |
The Persistence of Pre-Raphaelitism: From Hughes to Frampton | p. 96 |
John William Waterhouse | p. 122 |
'Tracing the finger of God': Landscape Painting in Victorian England | p. 138 |
Richard Dadd, Contradiction: Oberon and Titania | p. 156 |
John Atkinson Grimshaw | p. 158 |
James Joseph Tissot | p. 172 |
Giovanni Boldini, The Marchesa Luisa Casati | p. 184 |
Antonio Frilli, Nude Reclining in a Hammock | p. 185 |
Academics and Classicists: Leighton, Alma-Tadema, Poynter, Moore and Others | p. 186 |
Painted Fictions: Commemorating the Everyday in Victorian Art | p. 204 |
Decorative and Applied Arts | p. 228 |
The Early 20th Century: Munnings, Lowry and Spencer | p. 276 |
Pablo Picasso, Angel Fernandez de Soto | p. 288 |
Canaletto, London, The Old Horse Guards from St James's Park | p. 290 |
Sir Joshua Reynolds, The Prince of Wales, later George IV | p. 292 |
Catalogue | p. 295 |
Selected Bibliography | p. 315 |
Photographic Acknowledgements | p. 316 |
Index of Artists, Craftsmen and Manufacturers | p. 317 |
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