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9780521078924

Presenting Poetry: Composition, Publication, Reception

by
  • ISBN13:

    9780521078924

  • ISBN10:

    052107892X

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2008-09-11
  • Publisher: Cambridge University Press

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Summary

The presentation of poetry to auditor and reader involves a complex interaction of rhetorical, orthographical and visual mediating skills. At issue are the nature of 'authority', the creation of a readership attuned to the writer's poetic resonances, and a delicate negotiation between literary tradition and individual talent. In a series of detailed readings leading scholars focus on the presentation of work by Spenser, Herbert, Milton, Dryden, Pope, Smart, Blake, Wordsworth, Browning, Yeats, Lawrence and David Jones. The wide chronological range enables unusually extensive comparison across the boundaries of generic form, and between the varying emotional, aesthetic and rhetorical emphases of specific periods: from the creation of fictitious 'persona' to the construction of autobiographical 'self', from the interaction of printed word and visual image to the arrangements and rearrangements of structure and sequence.

Table of Contents

Introduction
'Personae', Sequence and Commentary
'Little booke: thy selfe present': the politics of presentation in The Shepheardes Calendar
'Cut without hands': Herbert's Christian altar
On historical commentary: the example of Milton and Dryden
Sequences of reading: Pope's Moral Essays and Intimations of Horace
The Self Presented and Revised
Presenting jeopardy: language, authority, and the voice of Smart in Jubilate Agno
Did Blake betray the French Revolution? A dialogue of the mind with itself
Presentation of the self in the composition of The Prelude
The epiphanic mode in Browning's poetry
Readerships Inherited and Invented
Newman's leading
The politics of genre and audience in Yeats
The shaping of
Presentation and self-presentation in In Parenthesis
Table of Contents provided by Publisher. All Rights Reserved.

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