Foreword | |
Introduction | |
The Whole Self | p. 1 |
The Wedgewood Tea Set | p. 9 |
Megalos Mastoras and His Work, 1347 A.D. | p. 17 |
The Lovers | p. 55 |
Catch a Falling Star | p. 71 |
Sima Street | p. 83 |
The Question | p. 91 |
The Banat Train | p. 103 |
The African Violet | p. 111 |
The Lute and Scars | p. 119 |
The Gift | p. 131 |
The Scream | p. 137 |
The Other Side of Our Eyes | p. 143 |
Sweet Turtledove | p. 151 |
The Prince of Fire | p. 163 |
The Duel | p. 177 |
D. S. | p. 193 |
Souls of Stone | p. 201 |
Night Under the Kosmaj | p. 215 |
The Locksmith Was Better | p. 221 |
The Forest of Perpetual Darkness | p. 229 |
Smiles | p. 239 |
A Picture Without Father | p. 247 |
The Great Rebellion at the Stuln Nazi Camp | p. 259 |
Skull Tower | p. 267 |
The Yellow Dog | p. 273 |
The Clock in the Roofbeam of Hvosno | p. 277 |
Linea Grimani | p. 285 |
A Woman from a Catalogue | p. 299 |
The Plague Report | p. 315 |
A Letter from Hell | p. 325 |
The Morning After (Remake) | p. 333 |
Degli' Impiccati | p. 343 |
In the Mountains | p. 355 |
Man Without a Face | p. 367 |
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