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9781933199108

Print Matters

by
  • ISBN13:

    9781933199108

  • ISBN10:

    1933199105

  • Format: Paperback
  • Copyright: 2008-03-26
  • Publisher: Racom Communications

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Summary

Print matters still. In fact, it matters more than ever, even--maybe especially--in a world of continuous rapid-fire media innovations because it provides the standard--the acid test--for relevance and communication power. Why print? Because it's the purest form of advertising--an idea given power visually and crafted to move people with words. If you don't have an idea, it shows. If you can't write, people know. You can't hide emptiness behind a mesmerizing glare of glitzy TV production or trade on the familiar voice of a spokesperson to make a connection for you. It's just you and the reader. So print is the acid test for advertising as well as advertising people. Unlike electronic media, print requires our attention. If you lose your concentration when you're reading and your mind wanders, what do you do? Why, you read the sentence or paragraph or page over again--too often more than once. A woman named Evelyn Wood built a speed-reading franchise on this simple truth. Her instructors don't teach you to read faster; they teach you to concentrate better so you don't have to reread. That's why Evelyn Wood graduates not only seem to read faster, they also remember better.

Author Biography

Bob Lauterborn is the James L. Knight professor of advertising in the University of North Carolina-Chapel Hill School of Journalism and Mass Communication. Lauterborn was director of Marketing Communication & Corporate Advertising for International Paper worldwide and creative director of General Electric's 400-person in-house agency. Over the past 12 years, he has consulted or conducted seminars and workshops for more than 50 organizations in 21 countries on five continents.

Table of Contents

The Importance of Printp. 1
The Primacy of Printp. 1
Parting Shotp. 3
Are You Talking to Me?p. 5
In Focusp. 5
Differences and Distinctionsp. 7
Even a Unique Attribute Isn't Enoughp. 8
But There's Morep. 9
Engineers Aren't Always to Blamep. 9
"You can observe a lot by just watching." (Yogi Berra)p. 10
Notepadp. 12
Two Types of Researchp. 14
Notepadp. 15
What Do You Do with All That Stuff?p. 15
Notepadp. 16
Notepadp. 17
Taking It to the Next Levelp. 17
Recapp. 18
For Further Readingp. 18
First, Get My Attentionp. 19
In Focusp. 19
It's Not Who's First; It's Who Lastsp. 20
Notepadp. 21
What's My Motivation?p. 22
Notepadp. 23
Research: Hitting the Sweet Spotp. 24
It's Not an Either/Or Decisionp. 24
Notepadp. 25
Notepadp. 26
Where's Waldo?p. 27
Why, Daddy?p. 28
Hierarchy of Customersp. 29
It's All in Your Headp. 31
Notepadp. 32
Recapp. 32
For Further Readingp. 33
Visuals Reach Customersp. 34
In Focusp. 34
Graphic Artsp. 35
Notepadp. 36
Use Captionsp. 37
Notepadp. 37
Using Photographsp. 38
Notepadp. 38
Legal, Cultural Cautionsp. 40
Stock Photos Can Backfirep. 41
Recapp. 43
Notesp. 43
For Further Readingp. 43
Headlines and Subheadsp. 44
In Focusp. 44
Heads and Visuals: Working as a Teamp. 47
Types of Headlinesp. 51
Notepadp. 52
Rules to Follow-Usuallyp. 52
Subheadsp. 58
Notepadp. 61
Recapp. 61
Notesp. 61
For Further Readingp. 62
Copy That Makes the Salep. 63
In Focusp. 63
That Golden Lemonp. 65
Notepadp. 65
Notepadp. 67
Notepadp. 68
Select the Proper Fontp. 70
In Focusp. 70
Major Font Characteristicsp. 71
Type Personalitiesp. 73
Element Relationshipsp. 75
Boldfacep. 77
Italicsp. 77
ALL CAPITALSp. 78
Notepadp. 79
Reverse Typep. 81
Other Considerationsp. 83
Text Alignmentp. 84
Column Widthp. 87
Recapp. 88
For Further Readingp. 88
Designing an Adp. 89
In Focusp. 89
Equilibriump. 90
Proportionp. 91
Contrastp. 91
Notepadp. 92
White Spacep. 93
Notepadp. 94
Colorp. 94
Overprints: Printing Text on Top of Photosp. 97
SAUsp. 97
Notepadp. 99
Recapp. 101
Notesp. 101
For Further Readingp. 101
Direct Marketingp. 102
In Focusp. 102
Direct Mailp. 103
Notepadp. 105
Mailing Listsp. 106
Notepadp. 107
Envelopep. 108
Postagep. 109
Letterp. 109
Collateralp. 112
Timingp. 113
Catalogsp. 114
E-Mailp. 116
Online Advertisingp. 119
Notepadp. 121
Recapp. 121
Notesp. 122
For Further Readingp. 122
Out-of-Homep. 123
In Focusp. 123
Billboardsp. 124
Notepadp. 125
Transit Advertisingp. 128
Inflatablesp. 131
Miscellaneousp. 133
Notepadp. 134
Notepadp. 136
Notesp. 139
Ad Campaignsp. 140
In Focusp. 140
What Are You Trying to Accomplish?p. 141
Notepadp. 145
Corporate Advertisingp. 146
Issue Advertisingp. 146
Consumer Advertisingp. 147
Notepadp. 148
Trade Advertisingp. 148
Integrated Marketing Communicationsp. 151
Notepadp. 151
Notepadp. 152
Recapp. 153
For Further Readingp. 153
Selling the Workp. 154
In Focusp. 154
Selling in Printp. 155
Notepadp. 155
Notepadp. 157
Selling vs. the Competition by Content Analysisp. 159
Notepadp. 160
Recapp. 162
Legal and Ethical Issuesp. 163
In Focusp. 163
Notepadp. 164
Legal Concernsp. 165
Notepadp. 166
Ethical Concernsp. 167
Sexism in Print Adsp. 169
Notepadp. 171
Why Be Ethical?p. 173
Notepadp. 173
Recapp. 174
Notesp. 175
For Further Readingp. 175
About the Authorsp. 176
American Advertising Federation (AAF)p. 177
Power of the Printed Word: International Paper Campaignp. 178
Glossaryp. 207
Illustration Creditsp. 214
Indexp. 215
Table of Contents provided by Ingram. All Rights Reserved.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

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