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Introduction | p. 1 |
'The secret blackness of milk' Proust, Merleau-Ponty, literature | |
'Un assemblage composite': perception and grafting in Du côté de chez Swann | |
Proust and the Analysis of Gesture | |
Disentangling Modernism: A Common Drive Towards Aesthetics | |
Proust and Handwriting | |
Images come alive (or how to make images with words) | |
Proust's Picture Plane | |
The Art Market in Proust A comparative study of the treatment of Rembrandt and the salon painter Gleyre in Proust | |
'Avid Eyes and Ears: Photographic Practice, Perception, and Memory in À la recherche du temps perdu' | |
'Mais dans les beaux livres, tous les contresens qu'on fait sont beaux': Marcel Proust, Raoul Ruiz, Volker Schlöndorff et Harold Pinter | |
In praise of iconoclasm. Reflections on the improbable 'illustration' of La Recherche | |
Intermedial Proust: Harold Pinter and Di Trevis's Stage Adaptation of À la recherche du temps perdu | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.