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| Introduction | p. 1 |
| 'The secret blackness of milk' Proust, Merleau-Ponty, literature | |
| 'Un assemblage composite': perception and grafting in Du côté de chez Swann | |
| Proust and the Analysis of Gesture | |
| Disentangling Modernism: A Common Drive Towards Aesthetics | |
| Proust and Handwriting | |
| Images come alive (or how to make images with words) | |
| Proust's Picture Plane | |
| The Art Market in Proust A comparative study of the treatment of Rembrandt and the salon painter Gleyre in Proust | |
| 'Avid Eyes and Ears: Photographic Practice, Perception, and Memory in À la recherche du temps perdu' | |
| 'Mais dans les beaux livres, tous les contresens qu'on fait sont beaux': Marcel Proust, Raoul Ruiz, Volker Schlöndorff et Harold Pinter | |
| In praise of iconoclasm. Reflections on the improbable 'illustration' of La Recherche | |
| Intermedial Proust: Harold Pinter and Di Trevis's Stage Adaptation of À la recherche du temps perdu | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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