INTRODUCTION | |||||
|
7 | (12) | |||
REFRESH, REFRESH | |||||
|
19 | (13) | |||
LAUNDRY | |||||
|
32 | (19) | |||
THE INNOCENT | |||||
|
51 | (1) | |||
COCKTAIL HOUR | |||||
|
52 | (17) | |||
DOUBLE ABECEDARIAN: 1963 | |||||
|
69 | (2) | |||
VOICES | |||||
|
71 | (21) | |||
FACING ALTARS: POETRY AND PRAYER | |||||
|
92 | (12) | |||
HWY 1 | |||||
|
104 | (2) | |||
IF A STRANGER APPROACHES YOU ABOUT CARRYING A FOREIGN OBJECT WITH YOU ONTO A PLANE | |||||
|
106 | (14) | |||
HARD RAIN | |||||
|
120 | (2) | |||
EXTRAORDINARY RENDITION | |||||
|
122 | (1) | |||
THE FRANK ORISON | |||||
|
123 | (8) | |||
A SHORT HISTORY OF MY BREATH | |||||
|
131 | (6) | |||
MOONSNAIL | |||||
|
137 | (2) | |||
THE LION'S MOUTH | |||||
|
139 | (27) | |||
A HISTORY OF THE AMERICAN WEST | |||||
|
166 | (3) | |||
ELEGY (WITH ADVERTISEMENT) STRUGGLING TO FIND ITS HERO | |||||
|
169 | (2) | |||
DOGGED | |||||
|
171 | (15) | |||
A DAY IN MAY: LOS ANGELES, 1960 | |||||
|
186 | (17) | |||
A THOUGHT, FOR EXAMPLE, IS A FORM | |||||
|
203 | (2) | |||
PERSEPHONE THE WANDERER | |||||
|
205 | (4) | |||
THE ODDS IT WOULD BE YOU | |||||
|
209 | (8) | |||
DEAD BOYS CLUB | |||||
|
217 | (2) | |||
SALVATION | |||||
|
219 | (1) | |||
REFUND | |||||
|
220 | (17) | |||
VEXING PRAXIS/HOCUS NEXUS | |||||
|
237 | (6) | |||
RADIO CRACKLING, RADIO GONE | |||||
|
243 | (2) | |||
BYE-BYE LARRY | |||||
|
245 | (12) | |||
MASTERING THE ART OF FRENCH COOKING | |||||
|
257 | (10) | |||
SELF PORTRAIT IN INK | |||||
|
267 | (2) | |||
THE ROLE OF A LIFETIME | |||||
|
269 | (2) | |||
WHAT FUNDAMENTALISTS NEED FOR THEIR SALVATION | |||||
|
271 | (14) | |||
THE LAND OF PAIN | |||||
|
285 | (9) | |||
RESTORATION | |||||
|
294 | (2) | |||
HOME ON THE RAIN | |||||
|
296 | (17) | |||
CLOCKS | |||||
|
313 | (9) | |||
MYTH | |||||
|
322 | (1) | |||
THE 167TH PSALM OF ELVIS | |||||
|
323 | (2) | |||
TAJ MAHAL | |||||
|
325 | (13) | |||
NUDE DESCENDING | |||||
|
338 | (2) | |||
HALLEY'S COMET | |||||
|
340 | (22) | |||
THE MEDICINE MAN | |||||
|
362 | (13) | |||
COOL THINGS | |||||
|
375 | (3) | |||
STAY | |||||
|
378 | (3) | |||
THE FIRES | |||||
|
381 | (3) | |||
THE WAY OF IGNORANCE | |||||
|
384 | (13) | |||
HEARING NEWS FROM THE TEMPLE MOUNT IN SALT LAKE CITY | |||||
|
397 | (2) | |||
VACATION | |||||
|
399 | (16) | |||
THE ETERNAL IMMIGRANT | |||||
|
415 | (3) | |||
DAR HE | |||||
|
418 | (4) | |||
FORMATION | |||||
|
422 | (1) | |||
SOME TERPSICHORE | |||||
|
423 | (12) | |||
LAMENT FOR A STONE | |||||
|
435 | (2) | |||
GASSED | |||||
|
437 | (3) | |||
ESCAPE FROM HOG HEAVEN | |||||
|
440 | (9) | |||
FIGHT | |||||
|
449 | (2) | |||
SPARROW TRAPPED IN THE AIRPORT | |||||
|
451 | (1) | |||
CHART | |||||
|
452 | (1) | |||
SHELTER | |||||
|
453 | (13) | |||
GOLDFISH: A DIPTYCH | |||||
|
466 | (2) | |||
ZION | |||||
|
468 | (1) | |||
WHY BUGSY SIEGEL WAS A FRIEND OF MINE | |||||
|
469 | (13) | |||
PORTRAIT OF HER MOTHER AS THE 19TH CENTURY | |||||
|
482 | (3) | |||
SPECIAL MENTION | 485 | (8) | |||
PRESSES FEATURED IN THE PUSHCART PRIZE EDITIONS SINCE 1976 | 493 | (6) | |||
CONTRIBUTING SMALL PRESSES | 499 | (11) | |||
FOUNDING MEMBERS OF THE PUSHCART PRIZE FELLOWSHIPS | 510 | (5) | |||
CONTRIBUTORS' NOTES | 515 | (3) | |||
INDEX | 518 |
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