Introduction | |
The Screenwriter's Fate | p. 1 |
The New Deal, the Rise of the Hollywood Left, and the Jewish Question | p. 56 |
Genre Realized: The Radical World of the B Film | p. 111 |
Success, but at Any Price? The New Deal Film and the Marketing of the Popular Front | p. 154 |
War on Two (or Three) Fronts | p. 202 |
Film Commentary and Theory in Midpassage | p. 261 |
Politics and Mythology of Film Art - The Noir Era | p. 321 |
To the Bitter End | p. 369 |
Epilogue | p. 437 |
Index | p. 449 |
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