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Introduction | p. 1 |
Bourdon, Blue Notes, and Pentatonism in the Blues: An Africanist Perspective | p. 11 |
"They Cert'ly Sound Good to Me": Sheet Music, Southern Vaudeville, and the Commercial Ascendancy of the Blues | p. 49 |
Abbe Niles, Blues Advocate | p. 105 |
The Hands of Blues Guitarists | p. 152 |
From Bumble Bee Slim to Black Boy Shine: Nicknames of Blues Singers | p. 179 |
Preachin' the Blues: A Textual Linguistic Analysis of Son House's "Dry Spell Blues" | p. 222 |
Some Ramblings on Robert Johnson's Mind: Critical Analysis and Aesthetic Value in Delta Blues | p. 258 |
"Guess These People Wonder What I'm Singing": Quotation and Reference in Ella Fitzgerald's "St. Louis Blues" | p. 281 |
Beyond the Mushroom Cloud: A Decade of Disillusion in Black Blues and Gospel Song | p. 328 |
Houston Creoles and Zydeco: The Emergence of an African American Urban Popular Style | p. 350 |
Contributors | p. 399 |
Index | p. 403 |
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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.