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Lynn H. Nicholas was born in New London. Connecticut. She was educated in the United States, England, and Spain, and received her B.A. from Oxford University. After her return to the United States she worked for several years at the National Gallery of Art. While living in Belgium in the early 1980s, she began research for this book, her first. Ms. Nicholas and her husband live in Washington, D.C.
Acknowledgments | |
Prologue: They Had Four Years: Germany Before the War: The Nazi Art Purges | p. 3 |
Period of Adjustment: The Nazi Collectors Organize; Austria Provides, Europe Hides | p. 27 |
Eastern Orientations: Poland, 1939-1945 | p. 57 |
Lives and Property: Invasion of the West; The Nazi Art Machine in Holland | p. 81 |
Lenity and Cruelty: Occupied France: Protection and Confiscation | p. 115 |
Business and Pleasure: France: The Art Market Flourishes; Nazi Kultur Withers | p. 153 |
Plus ca change: The Invasion of the Soviet Union | p. 185 |
Inch by Inch: The Launching of the Allied Protection Effort | p. 203 |
The Red-Hot Rake: Italy, 1943-1945 | p. 229 |
Touch and Go: The Allies Take Over: Northern Europe, 1944-1945 | p. 273 |
Ashes and Darkness: Treasure Hunts in the Ruined Reich, 1945 | p. 327 |
Mixed Motives: The Temptation of Germany's Homeless Collections | p. 369 |
The Art of the Possible: Fifty Years of Restitution and Recovery | p. 407 |
Notes | p. 445 |
Bibliography | p. 467 |
Index | p. 477 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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