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| Arcadia and the passionate shepherds of Brokeback Mountain | p. 5 |
| Proulx's pastoral : Brokeback Mountain as sacred space | p. 19 |
| Buried in the family plot : the cost of pattern maintenance to Ennis and Jack | p. 29 |
| Love and death in an American story : a "vulgar" reading of Brokeback Mountain | p. 45 |
| The "gay film" that wasn't : the heterosexual supplement in Brokeback Mountain | p. 59 |
| Gay cowboys close to home : Ennis Del Mar on the Q.T. | p. 71 |
| "When this thing grabs hold of us..." : spatial myth, rhetoric, and conceptual blending in Brokeback Mountain | p. 88 |
| From "nature's love" to natural love : Brokeback Mountain, universal identification, and gay politics | p. 106 |
| Broke(n)back faggots : Hollywood gives queers a Hobson's choice | p. 118 |
| Brokeback Mountain at the Oscars | p. 135 |
| Whiteness of a different kind of love : letting race and sexuality talk | p. 152 |
| The queerness of country : Brokeback's soundscape | p. 163 |
| Performing "Lonesome Cowboy" and "Jack Nasty" : the stars' negotiation of norms and desires | p. 178 |
| Lessons learned on Brokeback Mountain : expanding the possibilities of American manhood | p. 188 |
| Love and silence, penguins and possibility | p. 205 |
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