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9780205494736

Reading/Writing Connection, The: Strategies for Teaching and Learning in the Secondary Classroom

by
  • ISBN13:

    9780205494736

  • ISBN10:

    0205494730

  • Edition: 2nd
  • Format: Paperback
  • Copyright: 2007-01-01
  • Publisher: Allyn & Bacon
  • View Upgraded Edition
  • Purchase Benefits
List Price: $41.20

Summary

"This is an especially well-researched and documented texthellip;the authorrs"s voice is one that is knowledgeable, yet does not intend to intimidate. She speaks to her audience as a dedicated professional to professional. I could only hope that my students would read and retain her words of wisdom." Anna L. Bolling, California State University-Stanislaus "I havenrs"t seen any books that come close to what Carol Olson has developed." Harry Noden, Kent State University "The illustrations and scanned-in documents make Booth-Olsonrs"s book readable, interesting, relevant, and real-life. These visuals from actual students help transform her ideas from theory into practice." Kathy Bussert-Webb, The University of Texas at Brownsville "This is the only secondary text that I have found to explain and provide authentic examples of reading/writing workshop process. The activities are practical and motivating. Hurray for Olson." Donna Uebler, Bradley University Now in its second edition, The Reading/Writing Connection features an array of individual reading and writing strategies, activities, and mini-lessons that teachers can implement in their classrooms. Well-respected author Carol Booth Olson extends far beyond most books intended for teachers of language arts by integrating reading and writing in creative, theory-based ways. Lauded by students and professors as a clear and straightforward text, this revised and updated edition includes plenty of material about teaching the writing process and responding to literature, and provides examples of lessons that help readers learn specific strategies. Unique in its field, The Reading/Writing Connection provides student models at middle and high school levels in almost every chapter, illustrating actual student responses to reading and writing activities. The text is also rich with literary selections, giving teachers easy access to the literature featured in the activities and demonstration lessons. Features New to the Second Edition bull; bull;Extensive coverage of differentiated instruction for English Language Learners bull; bull;A new chapter entitled "Introducing Students to the Cognitive Strategies in Their Mental Tool Kits" that summarizes and clarifies studentsrs" use of cognitive strategies in their thinking bull; bull;An extensive and revised companion website that features reading and writing rubrics, student models, blackline masters of graphic organizers, and much more, available at www.ablongman.com/olson2e

Table of Contents

Preface xi
What Is the Reading/Writing Connection?
1(17)
What Is the Reading/Writing Connection?
1(2)
Characteristics of Experienced Readers and Writers
3(4)
Active Engagement in Constructing Meaning from and with Texts
3(1)
The Recursive Process: Going Back in Order to Go Forward
4(1)
Interaction and Negotiation by Experienced Readers and Writers
5(1)
A Strategic Approach
5(1)
Automatic Use of Skills, Allowing a Focus on Appropriate Strategies
6(1)
Motivation and Self-Confidence
6(1)
Cognitive Strategies That Underlie the Reading and Writing Process
7(7)
Planning and Goal Setting
7(2)
Tapping Prior Knowledge
9(1)
Asking Questions and Making Predictions
9(1)
Constructing the Gist
10(1)
Monitoring
11(1)
Revising Meaning: Reconstructing the Draft
12(1)
Reflecting and Relating
13(1)
Evaluating
14(1)
The Power of Integrating Reading and Writing Instruction
14(1)
Making the Reading/Writing Connection Visible through Instructional Scaffolding
15(1)
To Sum Up
16(1)
Learning Log Reflection
16(2)
Introducing Students to the Cognitive Strategies in Their Mental Tool Kits
18(21)
Declarative, Procedural, and Conditional Knowledge: Foundations of Strategic Reading and Writing
18(1)
Cognitive Strategies: A Reader's and Writer's Tool Kit
19(2)
The Cognitive Strategies Tutorial
21(6)
Introducing Students to the Tool Kit Analogy
21(2)
Beginning the Story
23(1)
Further Reading
24(2)
Finish the Story
26(1)
The Reading/Writing Connection
26(1)
The Role of Metacognition in Cognitive Strategies Instruction
27(1)
Using Think-Alouds to Foster Metacognition
28(1)
Metacognition Workshop: Teaching Students to Reflect on Their Meaning-Making Processes
29(4)
The Play-Doh Demonstration
29(1)
From Think-Aloud to Write-Aloud
30(3)
Writing about Your Thinking
33(1)
To Sum Up
33(1)
Learning Log Reflection
34(1)
``The War of the Wall'' by Toni Cade Bambara
34(5)
Integrating Reading and Writing Instruction through Scaffolded Demonstration Lessons
39(29)
Components of Effective Instructional Scaffolding
39(1)
Reducing the Constraints on Student Readers and Writers
40(2)
Reinforcing the Reading/Writing Connection through Scaffolded Demonstration Lessons
42(2)
A Description of the Reading/Writing Lesson Format
44(3)
Standards-Based Language Arts Instruction
47(15)
Demonstration Lesson: A Letter from Margot: ``All Summer in a Day''
49(13)
To Sum Up
62(1)
Learning Log Reflection
62(1)
``All Summer in a Day'' by Ray Bradbury
63(5)
Getting Started: Creating a Community of Learners
68(22)
The Role of Affect in Learning
68(1)
How the Classroom Itself Promotes Classroom Community
69(1)
What Is a Community of Learners?
70(1)
The First Week
71(2)
Classroom Rules
71(1)
Expectations
72(1)
Know Your Students
73(1)
Get-Acquainted Activities
74(7)
How I Learned to Read and Write
74(1)
Four Corners and Personality Collage Doll
75(2)
Object Exchange
77(1)
Personal Brochure
78(1)
Demonstration Lesson: My Name, My Self: Using Name to Explore Identity
79(2)
``My Name'' by Sandra Cisneros
81(7)
To Sum Up
88(1)
Learning Log Reflection
89(1)
A Multiple Intelligences Approach to Language Arts Instruction for Mainstream and English Language Development Classrooms
90(26)
Multiple Intelligences Theory in the Classroom
91(3)
Why a Multiple Intelligences Approach Works with English Language Learners
94(2)
Integrating Multiple Intelligences Theory and Cognitive Strategies through Instructional Scaffolding
96(1)
Introducing Students to MI Theory
97(14)
Corners Activity
97(2)
Multiple Intelligences Survey
99(1)
Demonstration Lesson: ``Not Mine!'' Interpreting Sandra Cisneros's ``Eleven''
100(11)
MI Theory and Learning Styles
111(2)
Epilogue
113(1)
To Sum Up
113(1)
Learning Log Reflection
113(1)
``Eleven'' by Sandra Cisneros
114(2)
Strategies for Interacting with a Text: Using Reading and Writing to Learn
116(20)
The Guided Tour Problem
117(1)
Using Pedagogical Strategies to Foster Cognitive Strategies
118(1)
The Concept of Reading and Writing to Learn
118(2)
The Strategic Approach to Interacting with a Text
120(14)
Before-Reading Strategies
120(4)
During-Reading Strategies
124(4)
After-Reading Strategies
128(6)
Letting Go of the Guided Tour
134(1)
To Sum Up
135(1)
Learning Log Reflection
135(1)
Teaching Literature: From Reading to Interpretation
136(30)
Efferent and Aesthetic Readings
136(1)
Why Teach Literature?
137(2)
Critical Approaches to Literature
139(2)
Organizing the Curriculum
141(6)
Demonstration Lesson: Setting and Character in Tennyson's ``Mariana'': Teaching Literary Interpretation
143(4)
``Mariana'' by Alfred, Lord Tennyson
147(10)
Teaching Longer Works of Fiction
157(6)
Do We Have to Read the Whole Thing Out Loud in Class?
157(1)
What Do I Do with English Language Learners and Inexperienced Readers in My Class?
158(1)
What If Students Get Bored and Tune Out?
159(2)
How Do I Hold Students Accountable for Their Reading?
161(2)
What Do I Do Before, During, and After Teaching a Novel?
163(1)
What about Nonfiction?
163(2)
To Sum Up
165(1)
Learning Log Reflection
165(1)
Reading, Thinking, and Writing about Multicultural Literature in Culturally Diverse Classrooms
166(27)
What Is Multicultural Literature? Defining Terms
167(1)
Why Teach Multicultural Literature?
168(4)
The Teacher's Role in the Multicultural Classroom
172(1)
Setting the Stage for Multicultural Literature
173(8)
Human Cultural Bingo
173(1)
Biopoem
174(1)
Sure You Can Ask Me a Personal Question: Dispelling Stereotypes
175(3)
The Heritage Quilt
178(3)
Recommended Works of Multicultural Literature for the Secondary Classroom
181(11)
Demonstration Lesson: Character and Culture in Amy Tan's ``The Moon Lady''
181(11)
To Sum Up
192(1)
Learning Log Reflection
192(1)
Teaching Writing: Helping Students Play the Whole Range
193(43)
``The Writer'' by Richard Wilbur
193(2)
Why Write?
195(1)
Informing the Teaching of Writing with Premises about Thinking
196(2)
What to Teach and Why
198(7)
Integrate Reading and Writing Instruction
198(1)
Make Cognitive Strategies Visible
199(1)
Give Students Writing Practice in a Variety of Domains
199(4)
Balance Teacher-Prompted and Student-Selected Writing Tasks
203(1)
Focus on Process and on Products
204(1)
Exploring the Domains
205(20)
Seashells and Similes: Sensory/Descriptive Observational Poetry
205(4)
Demonstration Lesson: The Memory Snapshot Paper: Imaginative/Narrative Autobiographical Writing
209(14)
The Saturation Report: Practical/Informative Report of Information
223(2)
Analytical/Expository Compositions
225(1)
A Training Program to Help Students Develop Criteria for an Effective Essay
225(6)
Reading ``The Stolen Party''
225(1)
Evaluating Sample Essays
226(3)
Color-Coding: Helping Students Distinguish between Plot Summary, Supporting Detail, and Commentary
229(1)
Revising One's Own Essay
230(1)
What about Writing across the Curriculum?
231(1)
To Sum Up
231(1)
Learning Log Reflection
231(1)
``The Stolen Party'' by Liliana Heker
232(4)
Alternative Approaches to the Research Paper
236(25)
What Are We Teaching Students When We Teach the Research Paper?
236(21)
Demonstration Lesson: The Saturation Research Paper
238(10)
Demonstration Lesson: Personalizing Research in the I-Search Paper
248(9)
Reading Saturation Research Papers and I-Search Paper
257(1)
Multigenre Papers
258(1)
Multimedia Projects
258(1)
What about the Traditional Research Paper?
259(1)
Dealing with Plagiarism
259(1)
To Sum Up
260(1)
Learning Log Reflection
260(1)
Sharing Our Responses to Texts as Readers and Writers and Revising Meaning
261(26)
The Role of Listening in the Language Arts Classroom
261(1)
The Role of Listening in the Language Arts Classroom
262(1)
What Is a Class Discussion?
263(1)
The Role of Question Asking in Teacher-Led Class Discussion
263(2)
Some Don'ts and Dos of Question Asking
265(1)
Responding to Students during Class Discussion
265(3)
Behaviors That Close Down Student Thinking
266(1)
Behaviors That Open Up Thinking
267(1)
Other Formats for Whole Class Discussion
268(2)
Socratic Seminar
268(1)
Grand Conversation
269(1)
Hot Seat
269(1)
Talk Show
270(1)
Small Group Formats for Sharing Responses to Texts
270(3)
Reciprocal Teaching
271(1)
Literature Circles
271(1)
Dialogue with a Text
272(1)
Turning Reading Groups into Writing Groups
273(1)
Introducing Students to Writing Groups
273(1)
Strategies to Guide Peer Response
274(2)
Finding the Golden Lines
274(1)
The Elbow Method
274(1)
Job Cards
275(1)
Read-Around Groups
275(1)
Response Forms and Sharing Sheets
275(1)
How Peer Response Helps Students Revise Meaning
276(1)
What Is Revision?
277(1)
The Role of the Teacher in Revising Meaning
277(2)
Modeling through Think-Alouds
277(1)
Feedback
278(1)
Providing Structure and Direct Instruction on Strategies for Revising Meaning
279(2)
Breaking the Task of Drafting and Redrafting into Manageable Chunks
280(1)
Minilessons
280(1)
WIRMIs and Believing and Doubting
280(1)
Color-Coding: Visual Feedback for Revising for Meaning
281(1)
Revising for Style
281(3)
Sentence Combining
282(1)
Using Copy-Change for Stylistic Imitation
283(1)
The Impact of Computers on the Process of Revising Meaning
284(1)
Revising Independently: Questions to Consider
285(1)
To Sum Up
285(1)
Learning Log Reflection
286(1)
Correctness Can Be Creative
287(36)
The Role of Affect in the Teaching and Learning of Grammar
288(1)
The Great Grammar Debate
289(1)
Why Teach Grammar?
290(1)
When, What, and How to Teach Grammar
291(2)
When
291(1)
When
292(1)
How
292(1)
Pedagogical Strategies and Activities to Make Grammar Memorable
293(20)
Graphic Grammar: A Spatial Approach to Teaching Parts of Speech
293(2)
Cloudy with a Chance of Meatballs
295(3)
Demonstration Lesson: The Dada Poem: A Creative Approach to Internalizing Parts of Speech
298(9)
Teaching Sentence Sense and Sentence Craft
307(5)
Punctuation Mythology
312(1)
A Few Words about Vocabulary and Spelling
313(5)
Vocabutoons and Vocabulary Story
314(1)
Building Academic Vocabulary
315(1)
Spelling/Academic Vocabulary Chants
316(1)
Visual Approaches to Spelling
316(1)
Word Trees and Word Sorts
317(1)
What to Do about Error
318(3)
Yes Twice, Comma Splice
319(1)
Sentence Drafts
320(1)
Job Cards
320(1)
Editing Checklist
320(1)
Celebrating Correctness
321(1)
To Sum Up
321(1)
Learning Log Reflection
322(1)
Assessing Students' Reading and Writing in the Classroom
323(29)
Teaching and Testing: Process versus Product
323(1)
Response, Assessment, Evaluation, Grading: Defining Terms
324(1)
Where to Start: Begin with the End in Mind
325(4)
What Do We Want Students to Know and Be Able to Do?
326(1)
Determining Where Your Students Are on the Road to Meeting the Standards
326(3)
Criteria for Effective Assessment
329(1)
Assessment or Evaluation?
330(1)
Using Rubrics to Assess and/or Evaluate Student Work
331(7)
Types of Scoring Rubrics
332(5)
Using Rubrics as a Teaching Tool
337(1)
The Portfolio Approach to Assessment and Evaluation
338(4)
Types of Portfolios
338(1)
What's in a Portfolio?
338(1)
The Portfolio Process: Collect, Select, Reflect, Project, Affect
339(2)
Assessing and Evaluating Portfolios
341(1)
Grading and Alternatives to the Traditional Grading System
342(1)
What about Standardized Tests?
343(4)
Preparing Students for On-Demand Writing
345(1)
Teaching the ABC Strategy
346(1)
Involving Students in Assessment, Evaluation, and Grading
347(1)
Informing Instruction through Assessment and Evaluation
348(1)
Assessing Teacher Effectiveness
349(1)
Electronic Teaching Portfolios
350(1)
To Sum Up
350(1)
Learning Log Reflection
351(1)
Cultivating Motivated, Independent Readers and Writers through Reading and Writing Workshop
352(38)
What Is a Workshop Approach?
352(1)
Applying the Principles of Instructional Scaffolding to Reading and Writing Workshop
353(1)
Creating a Workshop Environment
354(1)
Reading Workshop
355(22)
The Power of Free Voluntary Reading
355(1)
Principles of Reader Engagement
356(1)
Goals and Expectations for Reading Workshop
357(1)
Getting Acquainted: Getting to Know Students and Getting Students to Know Books
358(2)
Providing Access to Books
360(4)
The Teacher's Role in Reading Workshop
364(3)
Collaborating on Responses to Reading through Book Clubs
367(1)
Activities for Reading Workshop
367(9)
Culminating Projects for Reading Workshop
376(1)
Writing Workshop
377(10)
Using Reading Workshop as a Bridge to Writing Workshop
377(1)
Goals and Expectations for Writing Workshop
378(1)
Getting Started: Cultivating Student Interest in Writing
379(3)
But What Do I Write About?
382(2)
Keeping a Writer's Notebook
384(1)
Keeping Track: Status of the Class
385(1)
The Teacher's Role in Writing Workshop
385(1)
Turning Reading Groups into Writing Groups
386(1)
Culminating Projects in Writing Workshop: Portfolios and Anthologies
386(1)
Publication in the Writing Workshop Classroom
387(1)
Assessing and Evaluating Reading and Writing in Reading/Writing Workshop
387(1)
Students' Reactions to Reading and Writing Workshop
387(1)
To Sum Up
388(1)
Learning Log Reflection
389(1)
Appendix: Scientifically Based Research on the Scaffolded Lessons and the Cognitive Strategies Approach to Instruction 390(3)
References 393(12)
Index 405

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