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9780321604538

Real World Compositing with Adobe Photoshop CS4

by ;
  • ISBN13:

    9780321604538

  • ISBN10:

    0321604539

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2009-01-16
  • Publisher: Peachpit Press
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Summary

In Real World Compositing with Adobe Photoshop CS4, Photoshop experts Scott Valentine and Dan Moughamian explain the key elements involved in planning and executing a composite imaging project. Serious photographers and digital artists wishing to produce photo-realistic imagery or surrealistic artwork by blending-or compositing-multiple images (including 3D objects) and light sources can learn all they need to know right here.

Author Biography

Dan Moughamian is a compositor and photographer of landscapes and urban architecture. With more than 14 years of experience with Adobe Photoshop, he has worked directly with Adobe Systems to help enhance many of Photoshop's core compositing functions. Learn more about Dan's work at www.colortrails.com. Scott Valentine is an award-winning experimental photographer and long-time Adobe Photoshop user. He has a deep understanding of digital imaging and optical physics, and has served as a subject matter expert in microphotography and technical image analysis at a national laboratory. Follow Scott at: blog.lightningsymphony.com.

Table of Contents

Introductionp. xi
System Considerationsp. 1
Hardwarep. 1
Memory (RAM)p. 2
Graphics Processors (GPUs)p. 4
Monitorsp. 6
Hard Drivesp. 9
Color Calibration and Profilingp. 12
Softwarep. 13
Adobe Bridge CS4p. 13
3D Modeling and Renderingp. 14
Advanced Masking Toolsp. 15
Noise Reduction Softwarep. 15
Brainstormingp. 17
Finding Inspirationp. 17
Storing and Evaluating Ideasp. 18
Sketching and Visualizingp. 20
Choosing a Final Conceptp. 22
Choosing the Scene and Subjectp. 25
The Scenep. 25
Details Make the Differencep. 26
Scouting the Optionsp. 27
Travel Now, Travel Laterp. 29
Travel by Wire: Stock Imageryp. 31
The Subjectp. 32
Other Considerationsp. 36
Complexityp. 36
Color and Luminosityp. 37
Using Stock Imagesp. 41
Finding the Right Shotsp. 41
Understanding What You Needp. 41
Searching and Organizingp. 42
Keyword Search Strategiesp. 44
Licensing and Restrictionsp. 45
Free Sites and Fair Usep. 49
Types of Images Availablep. 51
Capturing the Scene and Subjectp. 53
Working with Lightp. 53
Soft Lightp. 54
Hard Lightp. 56
Reflectionsp. 57
Highlightsp. 60
Shadows and Texturep. 61
Edge Contrastp. 63
Opaque Edgesp. 64
Transparent Edgesp. 65
Distance Factorsp. 66
Perspectivep. 67
Composition and Selective Focusp. 69
Compositional Balancep. 69
Tilt-Shiftp. 71
Digital Noisep. 74
Color Considerationsp. 76
Camera Locationp. 78
Equipment Considerationsp. 79
Organizing and Evaluating Imagesp. 83
Bridge Workflow Tipsp. 83
Tips for Metadatap. 84
Tips for Keywordsp. 87
Tips for Searchingp. 89
Tips for Using Collectionsp. 91
Tips for Evaluating and Comparing Imagesp. 92
Photoshop Workflow Tipsp. 94
Managing Your Workspacep. 94
Using Layers and Layer Groupsp. 96
Processing Raw Source Filesp. 99
Enhancing Color and Tonep. 100
Global Color Correctionsp. 100
Global Tonal Correctionsp. 103
Localized Color and Tone Correctionsp. 108
Controlling Camera Noisep. 116
Controlling Sharpnessp. 117
Handling Multiple Correctionsp. 119
Managing Outputp. 121
Enhancing Source Imagesp. 123
Compositing Workflowp. 123
Identifying Problem Areasp. 124
Retaining Image Flexibilityp. 125
Making Image Correctionsp. 132
Reducing Noisep. 132
Modifying Tonal Valuesp. 134
Correcting Colorp. 136
Making Layer-Based Editsp. 138
Creating 3D Contentp. 149
3D Fundamentalsp. 150
3D in Photoshopp. 157
Basic 3D Toolsp. 157
The 3D Panelp. 161
The 3D Axisp. 164
Creating 3D Content in Photoshopp. 167
Understanding Texturesp. 169
Working with Materialsp. 172
Adding Contour with Depth Mapsp. 173
Lighting 3D Contentp. 174
Rendering and Performancep. 175
Choosing Your 3D Environmentp. 176
Compositing Source Materialsp. 181
Quick Setupp. 181
Adding Source Filesp. 184
Adjusting Scale and Placementp. 189
Obscuring Extra Pixelsp. 193
Clone, Patch, and Healing Toolsp. 194
Selections, Layer Masks, and Alpha Channelsp. 197
Alternate Removal Methodsp. 204
Perfecting Focusp. 206
Lighting Enhancementsp. 212
"Lighting Layers"p. 212
Creating Shadowsp. 215
Final Touchesp. 217
File Versioning Optionsp. 222
Output Optionsp. 223
Commercial Press Outputp. 223
Choosing the Right ICC Profilep. 224
Soft-Proofing Your Workp. 227
Making Correctionsp. 231
Ink-Jet Printer Outputp. 232
Web Outputp. 235
Appendix: Project Examplesp. 239
Blue Moonp. 239
Process the Raw Source Imagep. 240
Correct the Perspective on Buildingsp. 241
Create an Illustrator "Orb"p. 241
Create a 3D Photoshop "Orb"p. 242
Place Files as Smart Objectsp. 243
Position, Scale, and Rotatep. 244
Mimic the Evening Lightp. 245
Adjust the Focusp. 246
Add the Final Touchesp. 247
Alley Manp. 248
Match the Tonality and Colorp. 248
Place the Man in the Alleyp. 249
Achieve Accurate Scalep. 250
Set the Focus Pointsp. 251
Work the Shadowsp. 252
More Composite Examplesp. 253
Parting Wordsp. 256
Image Creditsp. 257
Indexp. 259
Table of Contents provided by Ingram. All Rights Reserved.

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