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9780321238337

Real World Digital Video

by ;
  • ISBN13:

    9780321238337

  • ISBN10:

    0321238338

  • Edition: 2nd
  • Format: Paperback w/Disk
  • Copyright: 2004-01-01
  • Publisher: Peachpit Press
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List Price: $49.99

Summary

You never thought you'd be shooting a corporate training video as part of your job as HR manager, but, well here you are--with a camcorder, a directive, and not a clue how to begin! You--and the many people who find themselves in similar situations--need this volume! Realizing that you're expected to provide professional results regardless, the authors of this volume dig deep into every phase of the DV production process: from capturing images and sound to editing, post-processing, adding special effects, and distributing the final product. Special emphasis is placed on the industrial-strength techniques that will get you up to speed quickly on the hardware and software advances that have occurred since the last edition. You'll find new sections on shooting and post-processing film-look (24p) and HDTV video, as well as special coverage of the latest eye-popping special effects. A companion DVD includes demo video clips, award-winning short films, interviews with DV pros, and lots more goodies.

Author Biography

Pete Shaner is a motion-picture writer and director who has written and directed two independent features. He teaches movie production and directing at UCLA Extension. Gerald Everett Jones has written more than 20 books on computer and business subjects.

Table of Contents

Introductionp. xxiii
All You Can Achieve with Digital Videop. 1
Types of Projects You Can Shoot with Digital Videop. 1
Basic Video Shooting Styles: News or Filmp. 15
Experimenting with Digital Videop. 25
Yes, You Need a Scriptp. 29
Script Elements and Formatsp. 30
Script Formatting Software and Preproduction Planningp. 34
Thinking About Your Projectp. 37
DV Technology and the Camcorderp. 47
About DVp. 48
Matching a DV Camcorder to Your Shooting Stylep. 57
Access to Controlsp. 59
Camcorder Resolution and Picture Qualityp. 59
What Are NTSC/PAL/SECAM Broadcast Formats?p. 63
What Do You Need to Know About Scanning Modes?p. 66
Do You Need Automatic Camcorder Controls?p. 69
Optical vs. Digital Zoomp. 71
Audio Optionsp. 71
Getting DV into Your Computerp. 73
Your Missionp. 73
Using Your Camcorder Like a Prop. 75
How to Get a Crash Course Without Trashing a Camerap. 75
Ergonomicsp. 76
Lenses and Lens Operationp. 81
Record and Playback Settingsp. 88
Audio/Video I/O Connections and Settingsp. 92
Professional Camera Techniquesp. 95
Shoot Some Testsp. 102
Your Camcorder--An Extension of Youp. 103
Shots and Shot Plansp. 105
Planning Your Shotsp. 105
Telling Stories with Picturesp. 110
Direct Audience Attentionp. 114
Ten Ways to Shoot a Chairp. 115
Types of Shotsp. 116
Using Shots as Storytelling Elementsp. 125
Blocking the Actionp. 129
Drawing Shot Plansp. 130
Extracting the Shot Listp. 133
Making It Visualp. 133
Lighting for DVp. 135
Painting with Lightp. 135
Meet Your Lighting Crewp. 136
Using Three-Point Lightingp. 139
Controlling Color Temperaturep. 148
Selecting Professional Lightsp. 149
Tools for Controlling Lightp. 158
Lighting Techniquesp. 165
Painterly Artp. 179
Sound on the Setp. 181
Planning for Professional Soundp. 181
Capturing Realistic Sound on the Setp. 182
Meet Your Sound Crewp. 184
Selecting Professional Microphonesp. 186
Tools for Controlling and Capturing Soundp. 193
Should You Record Separate Sound?p. 196
Sound Techniquesp. 199
Avoiding Nasty Surprises in Postp. 209
The Mark of Professional Videop. 210
Preproductionp. 211
Choosing a Production Stylep. 211
How Much Structure?p. 213
Multicamera Styles for Live Eventsp. 215
Scouting Locationsp. 217
Shooting Offshore--Or Out of Statep. 220
Meet Your Crewp. 221
Staffing Requirementsp. 222
What to Rent, What to Buyp. 232
Breaking Down the Scriptp. 234
Casting and Improvisation for DVp. 237
Rehearsals/Briefings/Run-Throughsp. 240
Scheduling and Budgeting for Digital Video Productionp. 241
Developing a Budgetp. 246
Dealing with Legal Issuesp. 250
Preparing to Shootp. 252
Eating the Elephantp. 254
On the Setp. 255
Running and Gunningp. 255
The Call Sheetp. 258
Transporting and Managing Equipmentp. 260
Setting up for a Scenep. 262
Artful Compositionp. 266
Keeping Track of Your Takesp. 268
Calling for Quiet Between Takesp. 270
Working with Actorsp. 271
What Is a Sensible Shooting Ratio?p. 275
Moving the Camera During a Shotp. 275
Record Keepingp. 280
Preventing and Troubleshooting Common Problemsp. 283
Striking the Setp. 286
Abby Singer and the Martinip. 287
In the Cutting Roomp. 289
The Editing Processp. 290
Meet Your Editing Crewp. 291
Thinking About Your Digital Editing Systemp. 293
How Does NLE Work?p. 294
Nonlinear Editing Basicsp. 300
No Need for Perfectionp. 315
Show It to Someone Before It's Too Latep. 315
Storing Your Project Files for Possible Re-Editp. 316
Learning to Use Your Editing System Betterp. 317
Polishing Sound and Imagesp. 319
Post Toolsp. 319
Making the Magic Invisiblep. 321
Meet Your Postproduction Crewp. 323
Polishing Soundp. 326
The Infinite Variety of Musicp. 336
Polishing Imagesp. 345
The Missing Ingredient?p. 353
Distribution and E-Publishingp. 355
Going Widep. 355
Meet Your Mastering and Duplication Teamp. 356
Meet Your Distribution Teamp. 359
Deliverables for Distributionp. 363
Copyrightp. 365
Releasing on Videotape and DVDp. 367
Releasing on Televisionp. 379
Releasing on Theatrical Filmp. 381
Releasing on the Internetp. 387
Releasing on Corporate Networksp. 393
Delivering on the Democratization of Videop. 396
Coming Attractionsp. 399
Digital Video Technology in Depthp. 403
Types of Digital Video: Sorting out the Confusionp. 403
Proprietary DV Variantsp. 408
DV Technology: Under the Hoodp. 410
CCD Technologyp. 412
What Is Color Space and Why Is It Important?p. 416
Selecting and Building an NLE Systemp. 421
Choose Your Platformp. 421
NLE Products: An Overviewp. 422
Which Mac or Which PC?p. 433
Configuring an Editing System: Three Examplesp. 437
Preparing Your Drives Before Installing NLE Softwarep. 440
Glossaryp. 443
References and Web Linksp. 479
Indexp. 489
Table of Contents provided by Ingram. All Rights Reserved.

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