Map | p. 10 |
Preface | p. 12 |
Faculty And Student Resources | p. 13 |
Introduction | p. 14 |
Using this Book | p. 14 |
Organization | p. 14 |
Pronouncing Names And Terms | p. 18 |
The Companion Website And Accompanying Music CD | p. 18 |
Putting this Study in Context | p. 19 |
Reality Through The Arts | p. 19 |
The Arts And Ways Of Knowing | p. 19 |
What Are Art's Main Concerns? | p. 21 |
Creativity | p. 21 |
Aesthetic Communication | p. 21 |
Symbols | p. 22 |
Fine and Applied Art | p. 22 |
What Are Art's Purposes And Functions? | p. 23 |
Purposes | p. 23 |
Functions | p. 23 |
How Should We Perceive And Respond? | p. 25 |
Applying Critical Skills | p. 25 |
Approaches To Criticism | p. 27 |
Formal Criticism | p. 27 |
Contextual Criticism | p. 29 |
Making Judgments | p. 29 |
Artisanship | p. 29 |
Communication | p. 29 |
Style | p. 30 |
How Can We Analyze Style? | p. 30 |
Style And Culture | p. 33 |
How Does A Style Get Its Name? | p. 33 |
Thinking Critically | p. 36 |
The Media Of The Arts | |
What Artists Use to Express ldquo;Realityrdquo; | p. 37 |
Two-Dimensional Art | |
Drawing, Painting, Printmaking, and Photography | p. 38 |
Formal and Technical Qualities | p. 38 |
Media | p. 38 |
Drawing | p. 38 |
Dry Media | p. 39 |
Wet Media | p. 40 |
Painting | p. 41 |
Mixed Media | p. 43 |
Printmaking | p. 43 |
Relief Printing | p. 44 |
Intaglio | p. 44 |
Planographic Processes | p. 46 |
Photography | p. 48 |
Photography And Art | p. 48 |
Documentary Photography | p. 50 |
Photographic Techniques | p. 51 |
Profile Pablo Picasso | p. 53 |
Composition | p. 53 |
Elements | p. 53 |
Line | p. 53 |
Form | p. 56 |
Color | p. 56 |
Mass | p. 57 |
Texture | p. 57 |
Principles | p. 58 |
Repetition | p. 58 |
Balance | p. 59 |
Unity | p. 59 |
Focal Areas | p. 59 |
Other Factors | p. 60 |
Perspective | p. 60 |
Chiaroscuro | p. 60 |
Content | p. 62 |
Painting & Human Reality | |
Gericault, The Raft of the ldquo;Medusardquo; | p. 61 |
Sense Stimuli | p. 62 |
Contrasts | p. 62 |
Dynamics | p. 64 |
Trompe Lrsquo;Oeil | p. 65 |
Juxtaposition | p. 65 |
Focus | p. 66 |
Sample Outline and Critical Analysis | p. 67 |
Cyber Study | p. 67 |
Important Terms | p. 67 |
Sculpture | p. 68 |
Formal and Technical Qualities | p. 68 |
Dimensionality | p. 68 |
Full-Round | p. 68 |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.