Acknowledgements | p. vii |
Note on Transliteration | p. ix |
Contributors | p. xi |
List of Figures | p. xv |
Introduction | p. 1 |
Place and History | |
'The Dark Passage': History, Piracy and the Melaka Strait | p. 13 |
In Interesting Times: Northeast Asia's Tipping-Point and its Implications for the Southern Hemisphere | p. 33 |
Indians in the South Pacific: Recentred Diasporas | p. 54 |
The Legend of Minamoto no Tametomo: Controversy and Connections Between Ryūkyūan/Okinawan and Japanese Histories | p. 85 |
Encounter and Displacement | |
Dislocated Location and Impersonal Autobiography: Yang Lian and the Object of Contemporary Chinese Poetry | p. 113 |
The City as a Contact Zone: Shanghai as a Crossroad between China and Japan | p. 130 |
From Diasporic Communities to 'Abandoned People' (Kimin) | p. 149 |
Hiding behind Ambiguity: Identifying an Ethnicity | p. 169 |
Supporting Foreigners in Japan: NGOs and Advocacy | p. 194 |
Representation and Identity | |
Indecent Intimacies: Chinese Men as Sexual Predators in New Zealand Fiction, 1934 to 2006 | p. 217 |
The Trope of the Ghost and Cultural Hybridity in Kim Sok Pom's Mandogi Yūrei Kitan (The Extraordinary Ghost Story of Mandogi), (1971) | p. 237 |
Wartime Tanka Poetry: Writing In Extremis | p. 256 |
Reaching Out with Chimugukuru: Positioning Okinawan Identity at the Fourth Worldwide Uchinānchu Festival and Beyond | p. 285 |
Musical Moves and Transnational Grooves: Education, Transplantation and Japanese Taiko Drumming at the International Pacific College, New Zealand | p. 310 |
Index | p. 335 |
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